The essay is an attempt to sketch a panorama of representations of the body, corporeality and their relation to gender identity in prose written after 1989, a caesura of particular significance for corporeality. The text discusses literary images of gender identity on the basis of available studies that show the state of research in this field. The essay refers to the concept of the androgynous myth and also refers to the theories of the ‘opaque body’ and the ‘unwanted body’. The problematics contained in the text refer to the works of Olga Tokarczuk, Natasza Goerke, Izabela Filipiak and Andrzej Czcibor-Piotrowski, among others, which deal with the body-related gender identity. The study does not consider works that contain literary representations of gender identity that function in isolation from the body, but focuses on those that are central to the issues of corporeality. This stems from the assumption of the importance of the bodily experience in a literary work that should not only refer to the body, but also touch on the essence of humanity.
{"title":"Problemy tożsamości płciowej i androgynii oraz ich rozumienie w dyskursie ponowoczesności na podstawie wybranych przykładów polskiej prozy po roku 1989","authors":"Daria Targosz","doi":"10.24917/20811853.22.21","DOIUrl":"https://doi.org/10.24917/20811853.22.21","url":null,"abstract":"The essay is an attempt to sketch a panorama of representations of the body, corporeality and their relation to gender identity in prose written after 1989, a caesura of particular significance for corporeality. The text discusses literary images of gender identity on the basis of available studies that show the state of research in this field. The essay refers to the concept of the androgynous myth and also refers to the theories of the ‘opaque body’ and the ‘unwanted body’. The problematics contained in the text refer to the works of Olga Tokarczuk, Natasza Goerke, Izabela Filipiak and Andrzej Czcibor-Piotrowski, among others, which deal with the body-related gender identity. The study does not consider works that contain literary representations of gender identity that function in isolation from the body, but focuses on those that are central to the issues of corporeality. This stems from the assumption of the importance of the bodily experience in a literary work that should not only refer to the body, but also touch on the essence of humanity.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73902208","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article presents key motifs in the lyrical works of Ernst Josef Krzywon, a German poet, literary historian. and translator of Polish literature. Krzywon was an intellectual of Upper Silesian origin, who struggled with the conditions of a double biography, enhanced by the socalled great history of belonging to two cultural circles. Both in his poetry and in his scientific works and essays, the author born in Rokitnica (a historical part of Zabrze), tries to face the challenge of presenting the cultural heritage of Upper Silesians as the product of meetings between representatives of several nations - as a common work of the German and Slavic peoples. Our article analyzes the main topic of his poems: the multiracial character of the region and its consequences for the individual – especially the necessity to look for national identity in the area between two cultures and two (or even three) languages.
{"title":"Poeta pojednania. O twórczości Ernsta Josefa Krzywona","authors":"Edward Białek, Justyna Radłowska","doi":"10.24917/20811853.22.11","DOIUrl":"https://doi.org/10.24917/20811853.22.11","url":null,"abstract":"This article presents key motifs in the lyrical works of Ernst Josef Krzywon, a German poet, literary historian. and translator of Polish literature. Krzywon was an intellectual of Upper Silesian origin, who struggled with the conditions of a double biography, enhanced by the socalled great history of belonging to two cultural circles. Both in his poetry and in his scientific works and essays, the author born in Rokitnica (a historical part of Zabrze), tries to face the challenge of presenting the cultural heritage of Upper Silesians as the product of meetings between representatives of several nations - as a common work of the German and Slavic peoples. Our article analyzes the main topic of his poems: the multiracial character of the region and its consequences for the individual – especially the necessity to look for national identity in the area between two cultures and two (or even three) languages.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"146 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83100693","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This paper is an analysis of Hamlet gliwicki [eng. Gliwice Hamlet] (Messel 2008) by the Polish-German writer Peter Lachmann (b. 1935). The article presents the genesis of the drama inspired by the fate of a Wehrmacht soldier lost during the Battle of Stalingrad in January 1942. This is the writer’s father Ewald Lachmann. In addition to the parodic means used in the play, the intertextual links between Gliwice Hamlet and William Shakespeare’s Hamlet are discussed, as well as the topoi of Shakespearean tragedy interwoven with episodes from Lachmann’s biography and events from the history of Gliwice. The figure of Hamlet takes on the role of a mask and functions as a universal archetype behind which the play’s creator himself hides. The bilingualism of Peter – the play’s protagonist – and the overlapping of two identities, Polish and German, are examined in terms of a palimpsest. The analysis shows that Lachmann’s drama is characterised by the lack of a linear course of events and their anchoring in a fluid, liminal space-time. The protagonist’s identity transformations are accompanied by the transformation of his immediate environment, as the German city of Gleiwitz turns into the Polish city of Gliwice.
{"title":"Uwalnianie się od prymatu pamięci albo oswajanie obcości. Tożsamościowe transformacje w \"Hamlecie gliwickim\" Piotra (Petera) Lachmanna","authors":"P. Chojnowski","doi":"10.24917/20811853.22.18","DOIUrl":"https://doi.org/10.24917/20811853.22.18","url":null,"abstract":"This paper is an analysis of Hamlet gliwicki [eng. Gliwice Hamlet] (Messel 2008) by the Polish-German writer Peter Lachmann (b. 1935). The article presents the genesis of the drama inspired by the fate of a Wehrmacht soldier lost during the Battle of Stalingrad in January 1942. This is the writer’s father Ewald Lachmann. In addition to the parodic means used in the play, the intertextual links between Gliwice Hamlet and William Shakespeare’s Hamlet are discussed, as well as the topoi of Shakespearean tragedy interwoven with episodes from Lachmann’s biography and events from the history of Gliwice. The figure of Hamlet takes on the role of a mask and functions as a universal archetype behind which the play’s creator himself hides. The bilingualism of Peter – the play’s protagonist – and the overlapping of two identities, Polish and German, are examined in terms of a palimpsest. The analysis shows that Lachmann’s drama is characterised by the lack of a linear course of events and their anchoring in a fluid, liminal space-time. The protagonist’s identity transformations are accompanied by the transformation of his immediate environment, as the German city of Gleiwitz turns into the Polish city of Gliwice.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"173 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79587454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article renders the heretofore poorly studied actions of the German national-socialist, occupant authorities between 1940 and 1941 targeted at the Cracow’s painter Józef Mehoffer, whose roots were German-Austrian, and his wife. The analysis of German documents collected in the Archive the New Files in Warsaw has clarified many aspects of the life of this well-known Polish painter. Previously much of this was incorrect, and the documents significantly contributed to the part of his biography during the occupation.
{"title":"Der Krakauer Maler Józef Mehoffer und dessen deutsch-österreichische Herkunft im Spiegel von NS-Akten 1940 bis 1941","authors":"Isabel Röskau-Rydel","doi":"10.24917/20811853.22.4","DOIUrl":"https://doi.org/10.24917/20811853.22.4","url":null,"abstract":"The article renders the heretofore poorly studied actions of the German national-socialist, occupant authorities between 1940 and 1941 targeted at the Cracow’s painter Józef Mehoffer, whose roots were German-Austrian, and his wife. The analysis of German documents collected in the Archive the New Files in Warsaw has clarified many aspects of the life of this well-known Polish painter. Previously much of this was incorrect, and the documents significantly contributed to the part of his biography during the occupation.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"26 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"79075055","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article is an attempt to reconstruct the biography of the Austrian painter and writer Hertha Karasek-Strzygowski, born in 1896 in what is now Bielsko-Biała, in the area of the socalled linguistic island of Bielsko-Biala in the Austro-Hungarian Empire. This island existed from the Middle Ages until 1945. The article is also an endeavor to sketch the historical and multicultural background of the surrounding reality. This reconstruction is intended to give an insight into this ambiguous figure and her work. The article also draws attention to the fact that, although the author grew up in a multicultural environment, she almost completely ignores the existence of Polish and Jewish nationalities in her immediate surroundings, and mentions Polish people only vaguely and explicitly in a negative way. Surprisingly, she also does not mention the Second World War in connection with Poland, where her family had lived since 1914 and which she visited almost annually as an adult. The way she describes the reality of war gives the impression that it was exclusively a time of torment and fear, brought upon on the German people by the Soviet Union....
{"title":"Hertha Karasek-Strzygowski – ein Leben im Spannungsfeld der Nationalismen","authors":"Julia Manowska-Cebula","doi":"10.24917/20811853.22.6","DOIUrl":"https://doi.org/10.24917/20811853.22.6","url":null,"abstract":"This article is an attempt to reconstruct the biography of the Austrian painter and writer Hertha Karasek-Strzygowski, born in 1896 in what is now Bielsko-Biała, in the area of the socalled linguistic island of Bielsko-Biala in the Austro-Hungarian Empire. This island existed from the Middle Ages until 1945. The article is also an endeavor to sketch the historical and multicultural background of the surrounding reality. This reconstruction is intended to give an insight into this ambiguous figure and her work. The article also draws attention to the fact that, although the author grew up in a multicultural environment, she almost completely ignores the existence of Polish and Jewish nationalities in her immediate surroundings, and mentions Polish people only vaguely and explicitly in a negative way. Surprisingly, she also does not mention the Second World War in connection with Poland, where her family had lived since 1914 and which she visited almost annually as an adult. The way she describes the reality of war gives the impression that it was exclusively a time of torment and fear, brought upon on the German people by the Soviet Union....","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"AES-16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84555090","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The article presents the Trylogia Berlińska [The Berlin Trilogy] by Magdalena Parys, a Polish writer living in Berlin. The series consists of three thrillers (Tunel, 2011; Magik, 2014; Biała Rika, 2016 [Tunnel, Magician, White Rika]) which critics have described as „political thrillers”. In the multi-threaded plots, set both in the contemporary and historical realities (World War II and the immediate post-war period), Polish émigrés, rooted in the Berlin’s metropolitan area, without complexes and pursuing their professional goals play a special role. The Poles include representatives of the middle generation – Germans of Polish descent, policemen, photographers, journalists who investigate vicious and unsolved murder cases. The confrontation of characters of Polish descent with their German peers, whose parents and grandparents live with the trauma of expulsion or of being a victim of Stasi surveillance, makes the reader think about the memory and the problem of German-Polish relations in the 21st century.
{"title":"Rzeczywistość i fikcja. Postacie Polaków i Niemców w prozie Magdaleny Parys","authors":"G. Szewczyk","doi":"10.24917/20811853.22.15","DOIUrl":"https://doi.org/10.24917/20811853.22.15","url":null,"abstract":"The article presents the Trylogia Berlińska [The Berlin Trilogy] by Magdalena Parys, a Polish writer living in Berlin. The series consists of three thrillers (Tunel, 2011; Magik, 2014; Biała Rika, 2016 [Tunnel, Magician, White Rika]) which critics have described as „political thrillers”. In the multi-threaded plots, set both in the contemporary and historical realities (World War II and the immediate post-war period), Polish émigrés, rooted in the Berlin’s metropolitan area, without complexes and pursuing their professional goals play a special role. The Poles include representatives of the middle generation – Germans of Polish descent, policemen, photographers, journalists who investigate vicious and unsolved murder cases. The confrontation of characters of Polish descent with their German peers, whose parents and grandparents live with the trauma of expulsion or of being a victim of Stasi surveillance, makes the reader think about the memory and the problem of German-Polish relations in the 21st century.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89730845","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The subject of this article is the Polish-German “double biography” of Countess Joanna von Schaffgotsch as portrayed in the novel Zink wird Gold by Georg Zivier and Hans Nowak and in Gustaw Morcinek’s Pokład Joanny. The comparative analysis focuses on the dominant narrative threads and the approaches to represent this historical figure, with the portrayal of the countess as the “Silesian Cinderella” existing as a point of reference in the public consciousness. The analyses conducted in this context lead to the conclusion that Nowak/Zivier’s biography of the countess generally corresponds to historical truth and is realistic in this sense, while the ideological aspect dominates in Morcinek’s narration. The two ‘biographies’ do not take into account the regional specificity of the Countess figure.
{"title":"Das schlesische Aschenputtel als Romanfigur: ein Beitrag zu einer deutsch-polnischen „Doppelbiographie“","authors":"Nina Nowara-Matusik","doi":"10.24917/20811853.22.3","DOIUrl":"https://doi.org/10.24917/20811853.22.3","url":null,"abstract":"The subject of this article is the Polish-German “double biography” of Countess Joanna von Schaffgotsch as portrayed in the novel Zink wird Gold by Georg Zivier and Hans Nowak and in Gustaw Morcinek’s Pokład Joanny. The comparative analysis focuses on the dominant narrative threads and the approaches to represent this historical figure, with the portrayal of the countess as the “Silesian Cinderella” existing as a point of reference in the public consciousness. The analyses conducted in this context lead to the conclusion that Nowak/Zivier’s biography of the countess generally corresponds to historical truth and is realistic in this sense, while the ideological aspect dominates in Morcinek’s narration. The two ‘biographies’ do not take into account the regional specificity of the Countess figure.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91134993","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
This article attempts to address the specificities of the Silesia on the example of selected poems by contemporary female and male authors who feel connected to this corner in the center of Europe and searching for their own identity. The research methodology revolves around biographical threads related to the turbulent history of Silesia, which has shaped the destiny of these writers. The national aspects of Silesia’s historical past are reflected in the subject matter of the lyrical works presented. At the same time, the regional perspective is broken by themes and threads relating to poetic reflections on human existence. It should be emphasized that the poems presented hardly belong to the highest category of fiction. These works show how a particular region with its volatile and often tragic history inspires artistically sensitive individual and enables them to experience the aesthetics captured in poetic images.
{"title":"Identitätssuche von deutsch-polnisch-schlesischen Lyriker:innen. Zeitgenössische Einblicke","authors":"Gabriela Jelitto-Piechulik","doi":"10.24917/20811853.22.16","DOIUrl":"https://doi.org/10.24917/20811853.22.16","url":null,"abstract":"This article attempts to address the specificities of the Silesia on the example of selected poems by contemporary female and male authors who feel connected to this corner in the center of Europe and searching for their own identity. The research methodology revolves around biographical threads related to the turbulent history of Silesia, which has shaped the destiny of these writers. The national aspects of Silesia’s historical past are reflected in the subject matter of the lyrical works presented. At the same time, the regional perspective is broken by themes and threads relating to poetic reflections on human existence. It should be emphasized that the poems presented hardly belong to the highest category of fiction. These works show how a particular region with its volatile and often tragic history inspires artistically sensitive individual and enables them to experience the aesthetics captured in poetic images.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"13 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"82447540","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
The aim of this article is to portray Karl Dedecius, a translator of Polish poetry and author of reflections on literature. The picture of the connoisseur and lover of Polish works is accompanied by parallel reflections on Dedecius as a person, his double biography, the role he played in dealing with the works of Polish writers as well as the influence of literature on him. The reflections are based, among other things, on the research into Dedecius’essays, lectures, his autobiography and his correspondence with Tadeusz Różewicz. The proposed considerations and the types of documents mentioned – which contain a wealth of information about the translator’s private life, e.g. his preferred values, hi views on interpersonal relations, and his professional life, e.g. his passion for translating literature, its influence on building positive relations between nations – are related to selected elements of the theory and methodology of biographical research.
{"title":"Karla Dedeciusa portret podwójny. O tłumaczu poezji polskiej i autorze refleksji o literaturze","authors":"Danuta Łazarska","doi":"10.24917/20811853.22.8","DOIUrl":"https://doi.org/10.24917/20811853.22.8","url":null,"abstract":"The aim of this article is to portray Karl Dedecius, a translator of Polish poetry and author of reflections on literature. The picture of the connoisseur and lover of Polish works is accompanied by parallel reflections on Dedecius as a person, his double biography, the role he played in dealing with the works of Polish writers as well as the influence of literature on him. The reflections are based, among other things, on the research into Dedecius’essays, lectures, his autobiography and his correspondence with Tadeusz Różewicz. The proposed considerations and the types of documents mentioned – which contain a wealth of information about the translator’s private life, e.g. his preferred values, hi views on interpersonal relations, and his professional life, e.g. his passion for translating literature, its influence on building positive relations between nations – are related to selected elements of the theory and methodology of biographical research.","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"16 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"74253185","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ogólnopolska konferencja naukowa „Stanisław Czycz. Literatura, malarstwo, muzyka, nowe media. W 25. rocznicę śmierci pisarza” (sprawozdanie)","authors":"Tomasz Ryrych","doi":"10.24917/20811853.22.20","DOIUrl":"https://doi.org/10.24917/20811853.22.20","url":null,"abstract":"- ","PeriodicalId":34769,"journal":{"name":"Annales Universitatis Paedagogicae Cracoviensis Studia Historicolitteraria","volume":"61 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83824183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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