Ojczyzna – obczyzna. Stanisław Przybyszewski o swej niemieckiej przeszłości w kręgu berlińskiej bohemy

Katarzyna Badowska
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Abstract

This article explores the Berlin period in the life and work of Stanisław Przybyszewski (1889–1898), one of the most famous writers of Young Poland, particularly focusing on why Przybyszewski – a writer debuting works in German and considered by scholars a Polish-German writer – came to increasingly depreciate his participation in the literature of his Western neighbors. In his memoirs, published before his death, he categorically stated: „I owe German literature – absolutely nothing”. In this essay, the researcher examines the circumstances in which Przybyszewski shone as a writer in the Berlin bohemian circle. Next, she shows how he discredited the entire cultural life of Jung-Deutschland, and renounced his artistic ties established in Germany. Finally, she speculates on why Przybyszewski created an unfavorable image of the German community at the end of the 19th century, and indicates that this process went hand in hand with the self-creation of a Polish writer.
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本文探讨了青年波兰最著名的作家之一Stanisław Przybyszewski(1889-1898)在柏林时期的生活和工作,特别关注为什么Przybyszewski——一个以德语首次亮相的作家,被学者认为是波兰-德国作家——越来越贬低他对西方邻国文学的参与。在他去世前出版的回忆录中,他直言不讳地说:“我完全不欠德国文学。”在这篇文章中,研究者考察了普日比舍夫斯基作为柏林波西米亚圈子的作家所处的环境。接下来,她展示了他如何诋毁整个中德意志的文化生活,并放弃了他在德国建立的艺术联系。最后,她推测了为什么普日比舍夫斯基在19世纪末创造了一个对德国社会不利的形象,并指出这一过程与波兰作家的自我创造密切相关。
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期刊最新文献
Problemy tożsamości płciowej i androgynii oraz ich rozumienie w dyskursie ponowoczesności na podstawie wybranych przykładów polskiej prozy po roku 1989 Karla Dedeciusa portret podwójny. O tłumaczu poezji polskiej i autorze refleksji o literaturze Ojczyzna – obczyzna. Stanisław Przybyszewski o swej niemieckiej przeszłości w kręgu berlińskiej bohemy Literatura dla dzieci i młodzieży i sacrum. "Sacrum w literaturze dziecięcej i młodzieżowej", red. Anna Nosek, Małgorzata Wosnitzka-Kowalska, Towarzystwo Autorów i Wydawców Prac Naukowych UNIVERSITAS, Kraków 2021, ss. 409 Polski krytyk teatralny Andrzej Wirth – mistrz przemieszczania się i jego rola w kształtowaniu nowego oblicza teatru w Niemczech
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