The tension between contemporary and modern art: The emergence of new media in Turkey, the development of digital art and the changing institutions/institutional structure

IF 0.6 4区 管理学 0 HUMANITIES, MULTIDISCIPLINARY International Journal of Arts Management Pub Date : 2023-05-02 DOI:10.31566/arts.2048
Ezgi Tokdil
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Abstract

As a new art form of a new world that technology has changed and transformed, new media art and other forms of creation associated with it have different stages of development in different countries. Questions such as the development of this form in Turkish art, the visibility of the artists working in this field in the international art field, what qualities the created works have and what stages they have passed through to capture the current digital identity (aesthetics) have not yet been fully clarified in the literature. In this context, the research takes an important role in filling the gap in the literature by chronologically addressing this change process in Turkish art and analyzing the progress of new media art from past to present. In accordance with this purpose; first of all, the relationship between modern art and contemporary art and the changing dimensions of cultural structure are examined. In this context, new media arts and digitalized art creations, which exist as a new form of contemporary/contemporary art, are included in the research through the development of the screen phenomenon and analyzed. In the continuation of the research, the development of new media in Turkey, the pioneering steps taken in this context, the first exhibitions, different creation mechanisms, collaborations in the formation process, alternatives for exhibition strategies are analyzed. Then, the development of new media and the process of change in institutions and institutional structures are discussed in two different aspects in terms of the exhibition process of the work and the creation process, and the collaborations of different disciplines in the creation process of digital art are examined with examples from the world and Turkey. The research, in which the foundations of the change between contemporary and modern art are analyzed through new media art and digitalized art creations, is a qualitative research using the relational analysis method and the analyzed works are included in the research with purposeful element sampling.
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当代与现代艺术之间的张力:土耳其新媒体的出现,数字艺术的发展和不断变化的机构/制度结构
作为技术改变和改造的新世界的一种新的艺术形式,新媒体艺术以及与之相关的其他创作形式在不同的国家有着不同的发展阶段。诸如这种形式在土耳其艺术中的发展、在这一领域工作的艺术家在国际艺术领域的知名度、创作的作品具有什么品质以及他们经历了哪些阶段来捕捉当前的数字身份(美学)等问题,在文献中尚未得到充分澄清。在此背景下,本研究通过按时间顺序处理土耳其艺术的这一变化过程,并分析新媒体艺术从过去到现在的进展,在填补文献空白方面发挥了重要作用。符合此目的的;首先,考察了现代艺术与当代艺术的关系以及文化结构维度的变化。在此背景下,通过屏幕现象的发展,将作为当代/当代艺术新形式存在的新媒体艺术和数字化艺术创作纳入研究,并进行分析。在研究的继续,新媒体在土耳其的发展,在此背景下采取的开创性步骤,第一次展览,不同的创作机制,形成过程中的合作,展览策略的替代分析。然后,从作品的展示过程和创作过程两个不同的方面讨论了新媒体的发展以及制度和制度结构的变化过程,并以来自世界和土耳其的例子来考察数字艺术创作过程中不同学科的合作。本研究通过新媒体艺术和数字化艺术创作来分析现当代艺术变化的基础,是一种使用关系分析方法的定性研究,分析后的作品被有目的的元素采样纳入研究。
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来源期刊
CiteScore
1.40
自引率
12.50%
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0
期刊介绍: Through publication of the International Journal of Arts Management, the Carmelle and Rémi Marcoux Chair in Arts Management contributes to HEC Montréal’s global reach while consolidating its position as a world leader in research on cultural organizations. The Chair publishes teaching materials that are used in several universities both in Quebec and elsewhere. A prime example is the book Marketing Culture and the Arts, which has been translated into 11 languages. The Chair also publishes research and conference proceedings on topics of interest to managers in the arts and cultural sector. Aims: offers insight into management processes, and the ways in which arts organizations operate within the various disciplines of management, including marketing, human resources, finance, accounting, production and operation processes, and administration; identifies and encourages the development of best practices in the management of culture and the arts, and promotes their use through the publication of case studies and analyses; addresses current issues of key relevance to cultural and arts organizations in a rigorous and detailed fashion; presents studies, measurements, and other empirical research in the field of arts and cultural management; provides a forum for challenging and debating coherent theories and models, as well as their application in cultural and arts practice.
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