The Scene with a Sacrifiicial Bull Depicted on a Votive Relief from Tyras

Q4 Arts and Humanities Arheologia Moldovei Pub Date : 2022-12-23 DOI:10.15407/arheologia2022.04.021
K. Savelieva
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Abstract

In the article the marble relief of the Thracian Horseman, discovered in 1961 in Tyras, and dated by the first half of the 3rd century AD, is analyzed. The relief was found together with another limestone relief in room no. 29 of the large house no. ІІІ. It depicts a complex scene with multiple members. In the middle of the relief a rider is depicted. He moves to the right, facing full face. The rider holds a spear in his raised right hand. His horse slowly approaches the kneeling bull with its head down. The dog under the body of the horse attacks the bull. The photo and the drawing show Hercules on the right and the man with the torch on the left. In the background (behind the horse’s tail) stands a man with a torch and a tympanum (?). There is an object that looks like a seashell above the man. The author of the article suggests the following interpretation of the scene: the kneeling bull with bowed head is a sacrificial animal, the rider is a priest preparing to perform or performing a sacrifice, and Hercules is the recipient of the sacrifice. The rhyton held by Hercules emphasizes the meaning of the scene, since this vessel is intended for making or receiving a libation. The man standing on the right with ritual attributes is a dedicant. The shell above the man can be a symbol of rebirth after death. The complete analogies to the scenes depicted on the relief haven’t been known yet. However, there are several reliefs with similar individual elements, in particular, those depicting a sacrificial bull. There is no dedicatory inscription on the plate, so nothing is known about the social status and ethnic origin of the dedicant, nor about the name and epithet of the god to whom it was addressed. We can only make the following assumptions: 1. The house in which votive plates were found belonged to a wealthy family. This is evidenced by finds of coins and gold jewellery. The head of the family obviously belonged to the local elite. 2. Perhaps the owner of the house was Thracian by origin. He could have been a veteran of the Roman army or his descendant. It is known that in the 2nd — the first half of the 3rd centuries AD the Roman garrison was located in Tyras. It was recruited in Lower Moesia. 3. Perhaps a marble relief was made to order. In this case, the customer could choose the plot himself, which reflected an episode from his personal experience, in particular, participation in mysteries. The room in which votive plates were discovered probably served as a home sanctuary (a place where the family performed certain religious activities and placed offerings to the gods).
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泰拉斯祭坛浮雕上的献祭公牛场景
本文对1961年在提拉斯发现的色雷斯骑士大理石浮雕进行了分析,该浮雕的年代为公元3世纪上半叶。这幅浮雕与另一幅石灰岩浮雕一起被发现于5号房间。29号的大房子。ІІІ。它描绘了一个有多个成员的复杂场景。浮雕中间描绘了一位骑手。他向右移动,脸朝前。骑手举起右手拿着长矛。他的马慢慢地低着头靠近跪着的公牛。马身下的狗攻击公牛。照片和图画显示大力神在右边,拿火炬的人在左边。背景(马尾后面)站着一个拿着火把和鼓室的人。在这个人的上方有一个看起来像贝壳的物体。这篇文章的作者对这一场景提出了如下的解释:跪着的低着头的公牛是一种祭祀动物,骑手是准备进行或正在进行祭祀的牧师,赫拉克勒斯是祭品的接受者。大力神拿着的韵律强调了这一场景的意义,因为这艘船是用来制造或接受奠酒的。站在右边有仪式属性的人是一个奉献者。这个人头上的贝壳是死后重生的象征。与浮雕上所描绘的场景的完整类比尚不清楚。然而,也有一些浮雕具有类似的个别元素,特别是那些描绘祭祀公牛的浮雕。盘子上没有题词,所以对供奉者的社会地位和民族血统一无所知,也不知道供奉者的神的名字和绰号。我们只能做以下假设:发现祭坛盘的那所房子属于一个富有的家庭。钱币和金饰的发现证明了这一点。一家之主显然属于当地的精英阶层。2. 也许房子的主人是色雷斯人。他可能是罗马军队的老兵或者他的后代。众所周知,在公元2世纪至3世纪上半叶,罗马驻军位于提拉斯。它是在下摩西亚招募的。也许大理石浮雕是专门定做的。在这种情况下,顾客可以自己选择情节,这反映了一个插曲,从他的个人经历,特别是参与推理。发现献祭盘的房间可能是一个家庭庇护所(一个家庭进行某些宗教活动并向神灵供奉祭品的地方)。
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来源期刊
Arheologia Moldovei
Arheologia Moldovei Arts and Humanities-Archeology (arts and humanities)
CiteScore
0.30
自引率
0.00%
发文量
0
期刊介绍: Arheologia Moldovei is one of the most prestigious Romanian scientific journals in the field of Archaeology, issued since 1961 by the Institute of Archaeology in Iasi, under the aegis of the Romanian Academy. Since 1990 the issues of the journal are published yearly. The journal publishes larger studies, papers, as well as notes and reviews pertaining to all fields of Archaeology, in terms of both chronology (from prehistory to the Middle Ages) and thematic (from theoretical essays to excavation reports and archaeometry). The languages of publication are English, German, French and Romanian (the latter with with larger English abstracts).
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