Neuroarthistory: Several Notes on Historical Sources

A. Milosavljević
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Abstract

In his proposal for a new methodological approach to the history of art, neuroarthistory, art historian John Onians based his argument in philosophy and art theory ranging from Aristotle to Leonardo, and from Reynolds to Zeki, and neuroaesthetics. However, he omitted from his overview the late Renaissance and Baroque traditions in which one can easily find writings on human cognitive ability (on intellect, senses, and imagination) and its bearings on art. In this preliminary note, we point to several 16th-century humanists, such as Gianfrancesco Pico della Mirandola, Baldassare Castiglione, Benedetto Varchi, and artist and theorist Federico Zuccari, in whose treatments of human cognitive ability we find the application of Aristotelian tradition. Their writings further illuminate the rich and exciting insights into the nature, workings, and results of human cognition. Article received: May 21, 2022; Article accepted: July 15, 2022; Published online: October 15, 2022; Original scholarly paper
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神经艺术史:对历史资料的几个注释
在他提出的一种新的艺术史方法论——神经艺术史的建议中,艺术史学家John Onians将他的论点建立在哲学和艺术理论的基础上,这些理论从亚里士多德到达芬奇,从雷诺兹到泽克,以及神经美学。然而,在他的概述中,他忽略了文艺复兴晚期和巴洛克传统,在这些传统中,人们很容易找到关于人类认知能力(智力、感官和想象力)及其与艺术的关系的著作。在这篇初步的笔记中,我们指出了几位16世纪的人文主义者,如Gianfrancesco Pico della Mirandola, Baldassare Castiglione, Benedetto Varchi和艺术家兼理论家Federico Zuccari,在他们对人类认知能力的治疗中,我们发现了亚里士多德传统的应用。他们的著作进一步阐明了对人类认知的本质、运作和结果的丰富而令人兴奋的见解。收稿日期:2022年5月21日;录用日期:2022年7月15日;在线发布:2022年10月15日;原创学术论文
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