NIHILISM, SELF-TRANSCENDENCE AND ABJECTION IN J.G. BALLARD’S CRASH

IF 0.2 Q4 EDUCATION & EDUCATIONAL RESEARCH Odisea Pub Date : 2019-09-30 DOI:10.25115/odisea.v0i19.2261
Carlos Sánchez Fernández
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引用次数: 1

Abstract

This essay focuses on the explanation of some of the aspects of plot and characterisation in J.G. Ballard’s novel Crash (1973) by drawing analogies with its postmodern cultural background. The fundamental idea is the characters’ wish to transcend both the reductive nihilism of a society whose value system is dominated by performativity, and the limitations of the human condition, starting with the self and the body. Their journey will be fraught with the danger of complete nihilism as it implies giving in to the death drive. In the end, this submission will strand them in abjection and abhumanity.
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巴拉德崩溃中的虚无主义、自我超越与落魄
本文从后现代文化背景入手,对巴拉德的小说《撞车》(1973)中情节和人物塑造的一些方面进行了分析。其基本思想是人物希望超越一个价值体系由表演主导的社会的还原虚无主义,以及从自我和身体开始的人类状况的局限性。他们的旅程将充满完全虚无主义的危险,因为这意味着屈服于死亡的驱动。最终,这种屈服将使他们陷入卑贱和不人道的境地。
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