L. van den Daele, Ashley Yates, Sharon Rae Jenkins
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引用次数: 1
Abstract
This project compared the relative performance of professional dancers and nondancers on the Music Apperception Test (MAT; van den Daele, 2014), then compared dancers’ performance on the MAT with that on the Thematic Apperception Test (TAT; Murray, 1943). The MAT asks respondents to “tell a story to the music” in compositions written to represent basic emotions. Dancers had significantly shorter response latency and were more fluent in storytelling than a comparison group matched for gender and age. Criterion-based evaluation of dancers’ narratives found narrative emotion consistent with music written to portray the emotion, with the majority integrating movement, sensation, and imagery. Approximately half the dancers were significantly more fluent on the MAT than the TAT, while the other half were significantly more fluent on the TAT than the MAT. Dancers who were more fluent on the MAT had a higher proportion of narratives that integrated movement and imagery compared with those more fluent on the TAT. The results were interpreted as consistent with differences observed in neurological studies of auditory and visual processing, educational studies of modality preference, and the cognitive style literature. The MAT provides an assessment tool to complement visually based performance tests in personality appraisal.
本项目比较了专业舞蹈演员和非舞蹈演员在音乐统觉测试(MAT;van den Daele, 2014),然后将舞者在MAT上的表现与主题统觉测试(TAT;穆雷,1943)。MAT要求受访者在表达基本情感的作品中“用音乐讲述一个故事”。与性别和年龄相匹配的对照组相比,舞蹈演员的反应潜伏期明显缩短,讲故事的能力也更流畅。对舞者叙事的标准评价发现,叙事情感与为描绘情感而写的音乐一致,大多数融合了动作、感觉和意象。大约一半的舞者在MAT上明显比TAT更流利,而另一半在TAT上明显比MAT更流利。与那些在TAT上更流利的舞者相比,在MAT上更流利的舞者有更高比例的融合动作和图像的叙述。结果被解释为与听觉和视觉处理的神经学研究、模态偏好的教育研究和认知风格文献中观察到的差异一致。MAT提供了一种评估工具,以补充人格评估中基于视觉的表现测试。