{"title":"Journeys Across Zeelandia: Anton Van Den Wyngaerde’s Panorama of Walcheren and Philip II","authors":"R. E. Gregg","doi":"10.1080/03096564.2022.2046424","DOIUrl":null,"url":null,"abstract":"ABSTRACT Anton van den Wyngaerde’s (c. 1490–1571) Panorama of Walcheren (after c. 1548) depicts the entire Island and the North Sea across ten metres of rolled paper. As the scene unfurls, viewers travel across Walcheren’s dikes, roads, and waterways. Staffage accompanies the viewer on this mental journey, animating the topographical vision. Comparison with Jacob van Deventer’s (c. 1500/5–1575) maps of Walcheren’s largest cities (c. 1550) demonstrates van den Wyngaerde’s pictorial style. His style’s potential for cinematic absorption was suited to the panorama’s intended audience and location. A version of this panorama hung in the Palacio de El Pardo of Philip II (1527–1598), King of Spain, by September 1564. That painted panorama, now lost, brought before the king’s eyes an illustrated account of the Island’s economic and defensive significance. Strolling the length of the gallery, Philip could envision past time spent on Walcheren and find himself immersed in the Island’s cultural experiences while being reminded of its position. The viewing experience offered the king of Spain a microcosmic synecdoche of his imperial power.","PeriodicalId":41997,"journal":{"name":"Dutch Crossing-Journal of Low Countries Studies","volume":"28 1","pages":"79 - 107"},"PeriodicalIF":0.4000,"publicationDate":"2022-03-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Dutch Crossing-Journal of Low Countries Studies","FirstCategoryId":"98","ListUrlMain":"https://doi.org/10.1080/03096564.2022.2046424","RegionNum":3,"RegionCategory":"历史学","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"HISTORY","Score":null,"Total":0}
引用次数: 0
Abstract
ABSTRACT Anton van den Wyngaerde’s (c. 1490–1571) Panorama of Walcheren (after c. 1548) depicts the entire Island and the North Sea across ten metres of rolled paper. As the scene unfurls, viewers travel across Walcheren’s dikes, roads, and waterways. Staffage accompanies the viewer on this mental journey, animating the topographical vision. Comparison with Jacob van Deventer’s (c. 1500/5–1575) maps of Walcheren’s largest cities (c. 1550) demonstrates van den Wyngaerde’s pictorial style. His style’s potential for cinematic absorption was suited to the panorama’s intended audience and location. A version of this panorama hung in the Palacio de El Pardo of Philip II (1527–1598), King of Spain, by September 1564. That painted panorama, now lost, brought before the king’s eyes an illustrated account of the Island’s economic and defensive significance. Strolling the length of the gallery, Philip could envision past time spent on Walcheren and find himself immersed in the Island’s cultural experiences while being reminded of its position. The viewing experience offered the king of Spain a microcosmic synecdoche of his imperial power.
Anton van den Wyngaerde(约1490-1571)的《瓦尔切伦全景图》(约1548年后)用10米长的卷纸描绘了整个瓦尔切伦岛和北海。随着场景的展开,观众们穿过沃尔切伦的堤坝、道路和水道。工作人员陪同观众进行这一精神之旅,使地形视觉栩栩如生。与Jacob van Deventer(约1500/5-1575)绘制的Walcheren最大城市的地图(约1550)比较,可以看出van den Wyngaerde的绘画风格。他的风格对电影吸收的潜力适合全景的目标观众和地点。1564年9月,这幅全景图的一个版本悬挂在西班牙国王菲利普二世(1527-1598)的Palacio de El Pardo宫。这幅已失传的画卷向国王展示了该岛的经济和防御意义。漫步在画廊里,菲利普可以想象过去在沃尔切伦度过的时光,发现自己沉浸在岛上的文化体验中,同时提醒自己它的位置。这一观赏性体验为西班牙国王提供了对其皇权的微观隐喻。