‘Don’t Whine’: Sexuality, Adultery and Emancipation in Annie M. G. Schmidt and Harry Bannink’s Musical Heerlijk Duurt het Langst (1965)

IF 0.4 3区 历史学 Q1 HISTORY Dutch Crossing-Journal of Low Countries Studies Pub Date : 2018-06-20 DOI:10.1080/03096564.2018.1475046
Sanne Thierens
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Abstract

Abstract Annie M. G. Schmidt (1911–1995) and Harry Bannink (1929–1999) are regarded as the founders of the original Dutch musical, having started their tradition with the 1965 production Heerlijk Duurt Het Langst (Lovely Lasts The Longest; official English title: Pleasure Pays Off). With its simple story about a bored married couple with the husband cheating on his wife with his secretary, Heerlijk became a hit. The musical reveals an important expression of uncommonly liberal and progressive values in its treatment of topics such as emancipation, feminism, adultery and sexuality. This essay shows how Heerlijk illustrates the changing dynamics of the position of women and their relationship to sex in the light of the dawning sexual revolution, revealing the gaps between the characters of Marian, the contemporary housewife, Emma, the sexually liberated mistress, and Ido, the cheating patriarch. By placing Heerlijk’s plot and characters into its socio-political historical context, this essay offers an insight into the progressive sensibility of the Netherlands during the early 1960s, as the country prepared for the second feminist wave to arrive.
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“不要抱怨”:安妮·m·g·施密特和哈里·班尼克的音乐剧《爱的女人》中的性、通奸和解放(1965)
Annie M. G. Schmidt(1911-1995)和Harry Bannink(1929-1999)被认为是荷兰原创音乐剧的创始人,他们的传统始于1965年的作品Heerlijk dut Het Langst(可爱持续的时间最长;官方英文标题:快乐有回报)。这部简单的故事讲述了一对无聊的已婚夫妇,丈夫和他的秘书欺骗了妻子,Heerlijk成为了热门作品。这部音乐剧在处理诸如解放、女权主义、通奸和性等话题时,揭示了罕见的自由和进步价值观的重要表达。这篇文章展示了Heerlijk如何在初露曙光的性革命中阐释女性地位的变化动态以及她们与性的关系,揭示了当代家庭主妇Marian,性解放的情妇Emma和出轨的家长Ido之间的差异。通过将Heerlijk的情节和人物置于其社会政治历史背景中,本文提供了对荷兰在20世纪60年代初的进步感性的洞察,因为这个国家正在为第二次女权主义浪潮的到来做准备。
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CiteScore
0.90
自引率
20.00%
发文量
6
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