{"title":"‘Our pain prioritized for once’: Survivor-centred Black podcasts reckoning with Surviving R. Kelly","authors":"Briana Barner","doi":"10.1386/rjao_00074_1","DOIUrl":null,"url":null,"abstract":"Calls to cancel singer R. Kelly have been around for decades, but they intensified with the twin debuts of the #MeToo and #MuteRKelly movements in 2017. The Surviving R. Kelly documentary, which premiered in 2019, chronicled the decades of abuse at the hands of Kelly, with appearances from survivors, their supporters and those closest to Kelly. Although what was presented in Surviving R. Kelly is not necessarily new information, the cultural shift that stemmed from #MuteRKelly and #MeToo helped to catapult the experiences of the primarily Black women and girls into mainstream media and ultimately led to Kelly being convicted of the crimes. Days after the documentary initially premiered in 2019, several Black podcasts reviewed the series – Tea with Queen and J, The Clubhouse with Mouse Jones and Marsha’s Plate. This article will provide a textual analysis of these episodes, as the episodes present a reflection on Black media, community and accountability. This article will explore how podcasts grappled with Black media’s complicity in the tangled web of abuse, while also providing survivor-centred content. Why are podcasts important spaces to grapple with difficult conversations among Black communities? What can podcast episodes show us about survivor-centred content and accountability?","PeriodicalId":38660,"journal":{"name":"Radio Journal","volume":"26 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2023-04-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"1","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Radio Journal","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1386/rjao_00074_1","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 1
Abstract
Calls to cancel singer R. Kelly have been around for decades, but they intensified with the twin debuts of the #MeToo and #MuteRKelly movements in 2017. The Surviving R. Kelly documentary, which premiered in 2019, chronicled the decades of abuse at the hands of Kelly, with appearances from survivors, their supporters and those closest to Kelly. Although what was presented in Surviving R. Kelly is not necessarily new information, the cultural shift that stemmed from #MuteRKelly and #MeToo helped to catapult the experiences of the primarily Black women and girls into mainstream media and ultimately led to Kelly being convicted of the crimes. Days after the documentary initially premiered in 2019, several Black podcasts reviewed the series – Tea with Queen and J, The Clubhouse with Mouse Jones and Marsha’s Plate. This article will provide a textual analysis of these episodes, as the episodes present a reflection on Black media, community and accountability. This article will explore how podcasts grappled with Black media’s complicity in the tangled web of abuse, while also providing survivor-centred content. Why are podcasts important spaces to grapple with difficult conversations among Black communities? What can podcast episodes show us about survivor-centred content and accountability?
Radio JournalArts and Humanities-Visual Arts and Performing Arts
CiteScore
1.50
自引率
0.00%
发文量
7
期刊介绍:
Radio Journal publishes critical analyses of radio and sound media across a variety of platforms, from broadcast to podcast and all in between. Articles focus on both historical and contemporary issues in sound-based journalism and media studies. We look for work that explores the production, circulation and reception of radio and creative soundwork, and encourage a wide range of international and interdisciplinary perspectives. Radio Journal welcomes scholarship from early career researchers as well as internationally renowned scholars. It also publishes reviews of recent publications in the field of radio and sound studies. Radio Journal is edited from the US and Australia and has an international scope. It is a refereed publication; all research articles undergo rigorous double-blind peer review. The editors will review other contributions. The process normally takes three months to complete.