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‘Our pain prioritized for once’: Survivor-centred Black podcasts reckoning with Surviving R. Kelly “我们的痛苦被优先考虑了一次”:以幸存者为中心的黑人播客对幸存的R.凯利的反思
Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/rjao_00074_1
Briana Barner
Calls to cancel singer R. Kelly have been around for decades, but they intensified with the twin debuts of the #MeToo and #MuteRKelly movements in 2017. The Surviving R. Kelly documentary, which premiered in 2019, chronicled the decades of abuse at the hands of Kelly, with appearances from survivors, their supporters and those closest to Kelly. Although what was presented in Surviving R. Kelly is not necessarily new information, the cultural shift that stemmed from #MuteRKelly and #MeToo helped to catapult the experiences of the primarily Black women and girls into mainstream media and ultimately led to Kelly being convicted of the crimes. Days after the documentary initially premiered in 2019, several Black podcasts reviewed the series – Tea with Queen and J, The Clubhouse with Mouse Jones and Marsha’s Plate. This article will provide a textual analysis of these episodes, as the episodes present a reflection on Black media, community and accountability. This article will explore how podcasts grappled with Black media’s complicity in the tangled web of abuse, while also providing survivor-centred content. Why are podcasts important spaces to grapple with difficult conversations among Black communities? What can podcast episodes show us about survivor-centred content and accountability?
取消歌手r·凯利(R. Kelly)的呼声已经存在了几十年,但随着2017年#MeToo和#MuteRKelly运动的首次亮相,这种呼声更加强烈。《幸存的R.凯利》纪录片于2019年首映,记录了凯利数十年来的虐待行为,幸存者、他们的支持者和凯利最亲近的人都出现在节目中。虽然《幸存的R.凯利》中所呈现的并不一定是新的信息,但源于#MuteRKelly和#MeToo的文化转变有助于将主要是黑人妇女和女孩的经历推向主流媒体,并最终导致凯利被判有罪。这部纪录片于2019年首播几天后,几家黑人播客回顾了该系列——《与女王和J一起喝茶》、《与老鼠琼斯一起的俱乐部》和《玛莎的盘子》。本文将对这些事件进行文本分析,因为这些事件反映了黑人媒体,社区和问责制。本文将探讨播客如何应对黑人媒体在错综复杂的虐待网络中的共谋,同时也提供以幸存者为中心的内容。为什么播客是应对黑人社区之间艰难对话的重要空间?关于以幸存者为中心的内容和问责制,播客能向我们展示什么?
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引用次数: 1
Special Issue: ‘Podcasting and Gender’ 特刊:“播客与性别”
Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/rjao_00069_2
Adrienne Trier-Bieniek, J. Loviglio, M. Lindgren
This Special Issue, guest-edited by Adrienne Trier-Bieniek, Ph.D., brings together exciting new work on the growing number of podcasts focused on deconstructing gender inequality, particularly as an intersectional issue. The seven articles gathered here provide a broad and methodologically diverse perspective on some of the most exciting podcasts in this genre. Two book reviews on major books released last year conclude the issue.
本期特刊由Adrienne Trier-Bieniek博士客座编辑,汇集了越来越多的播客中令人兴奋的新作品,这些播客专注于解构性别不平等,特别是作为一个交叉问题。这里收集的七篇文章为这一类型中一些最令人兴奋的播客提供了一个广泛而方法多样的视角。去年出版的两篇关于主要书籍的书评总结了这个问题。
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引用次数: 0
You cannot turn my voice down: Podcasts as alternative media for queers in Turkey 你不能拒绝我的声音:播客是土耳其酷儿的另类媒体
Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/rjao_00072_1
Fırat Tufan, Bilge Şenyüz
This study focuses on podcasts produced in Turkey that incorporate queer culture and experiences by exploring the dynamics of podcasting as an alternative broadcast medium. We examined six podcasts consisting of conversations focused on queer culture and issues, with at least ten episodes distributed. We conducted qualitative in-depth interviews with nine participants – at least one representative of each podcast. We found that the programmes, as effective alternative publicizing channels of solidarity, make personal experiences audible. Queer podcasts in Turkey demonstrate the characteristics of alternative media, being carriers of non-hegemonic discourse and representations, and their organizational forms and structures support audience participation. On the other hand, the distribution channels of the content are commercial and not independent on state or market.
本研究聚焦于土耳其制作的播客,透过探索播客作为另一种广播媒介的动态,将酷儿文化与经验融入其中。我们研究了六个播客,其中包括关注酷儿文化和问题的对话,至少发行了十集。我们对9名参与者进行了定性的深度访谈——每个播客至少有一名代表。我们发现,这些方案作为宣传团结的有效替代渠道,使人们能够听到个人的经历。土耳其的酷儿播客展现了另类媒体的特征,作为非霸权话语和表征的载体,其组织形式和结构支持受众参与。另一方面,内容的传播渠道是商业性的,不独立于国家和市场。
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引用次数: 0
The Routledge Companion to Radio and Podcast Studies, Mia Lindgren and Jason Loviglio (eds) (2022) 广播和播客研究的劳特利奇同伴,米娅·林格伦和杰森·洛维里奥(编辑)(2022)
Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/rjao_00078_5
P. Atkins
Review of: The Routledge Companion to Radio and Podcast Studies, Mia Lindgren and Jason Loviglio (eds) (2022) Abingdon: Routledge, 502 pp., ISBN 978-0-36743-263-8, h/bk, £210.00
回顾:广播和播客研究的劳特利奇同伴,Mia Lindgren和Jason Loviglio(编辑)(2022)阿宾顿:劳特利奇,502页,ISBN 978-0-36743-263-8, h/bk,£210.00
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引用次数: 0
Podcasting as a feminist space for the disclosure of trauma and intimate embodied experience: The Heart as a case study of quiet activism 播客作为揭露创伤和亲密具体化经验的女权主义空间:作为安静行动主义案例研究的心脏
Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/rjao_00071_1
Evi Karathanasopoulou, H. Williams
The ‘#MeToo’ movement established the disclosure of sexual violence via social media as mainstream and offered participants space to share experiences, receive support and create a sense of community. As a response, we explore the use of podcasting as a conduit to describe embodied experiences and how non-visual media can provide a safe environment to reveal deeply personal experiences. We use the podcast The Heart (mini-series No) as a case study to highlight patriarchal power and sexual violence myths. The result is profoundly discomforting but also emancipatory – talking about sexual violence can constitute a revolutionary act given the stigma and victim blaming prevalent in western society. The Heart makes private, intimate experiences public and centres female perspectives, highlighting disparate, gendered perceptions. As ‘#MeToo’ underscored the universality of women’s experiences of male harassment, we argue that The Heart is an example of ‘quiet activism’ and public scholarship that challenges patriarchal assumptions.
“#MeToo”运动将通过社交媒体披露性暴力确立为主流,并为参与者提供分享经验、获得支持和创造社区意识的空间。作为回应,我们探索了播客作为描述具体化体验的渠道,以及非视觉媒体如何提供一个安全的环境来揭示深刻的个人体验。我们以播客《心》(迷你系列No)为例,揭示了男权和性暴力的神话。其结果令人深感不安,但也具有解放意义——考虑到西方社会普遍存在的耻辱和受害者指责,谈论性暴力可能构成一种革命性的行为。“心”将私人的亲密体验公开化,并以女性视角为中心,突出不同的性别观念。正如“#MeToo”强调了女性遭受男性骚扰的普遍性,我们认为,《心》是“安静的行动主义”和公共学术挑战父权假设的一个例子。
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引用次数: 0
‘Lean into the YIKES’: Caring intimate counterpublics and climate justice podcasting “向伊克斯靠拢”:关心亲密的反公众和气候正义播客
Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/rjao_00075_1
S. Driver
This article explores the ways an intersectional feminist climate justice podcast YIKES offers possibilities for intimate counterpublics and forms of engagement that centre on caring and activist connections. Bringing together theories of intimacy, care and counterpublics together to examine the specific ways YIKES fosters affective attachment and political interest in ways that allow for open-ended and non-linear forms of communication. This article offers a close reading of an episode that explores the caring dynamics of friendship as an intimate space through which difficult topics related to climate justice, power and inclusion are opened up for discussion and sharing. I argue the podcast enacts an ethos of interpersonal care while elaborating complex conditions for social and political intimacy within broader networked publics.
本文探讨了一个跨领域的女权主义气候正义播客YIKES为亲密的反公众和以关怀和活动家联系为中心的参与形式提供的可能性。将亲密关系、关怀和反公众理论结合在一起,研究YIKES培养情感依恋和政治兴趣的具体方式,这些方式允许开放式和非线性的交流形式。这篇文章仔细阅读了一集,探讨了友谊作为一个亲密空间的关怀动态,通过这个空间,与气候正义、权力和包容相关的棘手话题得以讨论和分享。我认为,播客体现了一种人际关怀的精神,同时在更广泛的网络公众中阐述了社会和政治亲密关系的复杂条件。
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引用次数: 0
Podcasting as feminist pedagogy: An intersectional approach 播客作为女权主义教学法:一个交叉的方法
Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/rjao_00076_1
Adrienne Trier-Bieniek
Podcasts have the potential to bridge a gap between education, the availability of information and which voices are highlighted in media. In this article I talk about the experience of building a feminist-based podcast for my students called Most Popular. The podcast was founded using the theoretical concepts of Paulo Freire, bell hooks and the principles behind feminist standpoint theory and public scholarship, giving undergraduates the opportunity to experience guest lectures from a more feminist lens. This combination of approaches demonstrates the ways podcasts can remove the limits familiar to including diverse guests in a classroom, particularly if the barriers are regional or financial. I combine these foundations with a discussion of the logistics behind starting a podcast for undergraduates.
播客有可能弥合教育、信息可得性和媒体强调哪些声音之间的差距。在这篇文章中,我谈论了为我的学生建立一个女权主义播客的经历,这个播客叫做Most Popular。该播客运用了保罗·弗莱雷、贝尔·胡克斯的理论概念,以及女权主义立场理论和公共奖学金背后的原则,让本科生有机会从更女权主义的角度体验客座讲座。这种方法的结合表明,播客可以消除在课堂上邀请不同嘉宾的限制,特别是在地域或经济障碍的情况下。我将这些基础与为本科生开设播客背后的逻辑讨论结合起来。
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引用次数: 0
The sounds of motherhood: Mediating ‘motherwhelm’ in ZigZag 母性的声音:在《之字形》中调解“母性”
Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/rjao_00070_1
J. Wang
Applying the work of affect theorists and feminist scholars to sound studies, I suggest, permits scholars to appreciate podcasting’s representation of the gendered soundscape of maternity. In this article, I analyse several recent female-hosted, NPR-influenced podcasts that give voice to the complications and contradictions of working motherhood. The podcast ZigZag vividly depicts the emotional labour of entrepreneurship, of balancing working and mothering and of doing so in a neo-liberal feminist framework. Through an in-depth study of the audio work of Manoush Zomorodi and Jen Poyant in Note to Self and ZigZag (2018–present), I examine how these podcasts speak to contemporary challenges balancing creative media work, maternity and entrepreneurialism. Paying attention to the varied sounds of maternity offered by podcasts in this elite habitus vividly depicts the power of ‘motherwhelm’ in pandemic-era culture and complicates the community empowerment ethos assumed of podcasts.
我认为,将情感理论家和女权主义学者的工作应用于声音研究,可以让学者们欣赏播客对母性性别音景的表现。在这篇文章中,我分析了几个最近由女性主持的、受npr影响的播客,这些播客讲述了职业母亲的复杂性和矛盾。播客“ZigZag”生动地描述了创业、平衡工作和育儿的情感劳动,以及在新自由主义女权主义框架下这样做的过程。通过对Manoush Zomorodi和Jen Poyant在《自我笔记》和《ZigZag》(2018年至今)中的音频作品的深入研究,我研究了这些播客如何应对当代挑战,平衡创意媒体工作、母性和创业精神。在这种精英习惯中,关注播客提供的各种母性声音,生动地描绘了流行病时代文化中“母性”的力量,并使播客所假定的社区赋权精神变得复杂。
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引用次数: 0
Where radio dare not tread: Podcasts as queer audio media 电台不敢涉足的领域:播客作为奇怪的音频媒体
Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/rjao_00073_1
B. Drushel
Even given its focus on narrowly defined audiences, contemporary radio in the United States is commercial, and thus dependent upon a consumer goods sector that is market-driven, risk-averse and fearful of recrimination by those opposed to homosexuality or non-binary genders and government regulators. Queer listeners, unlike their straight counterparts, found in radio not mentors to guide them through adolescence and into adulthood, but the ultimately doomed task of attempting to conform to standards and rituals that did not fit them or to alternative readings of the texts found in radio’s music lyrics, disc jockey patter and commercials that constructed a world that were a better fit. In this article, I examine a varied and representative collection of podcasts and argue that the medium is uniquely positioned to deliver to queer audiences what conventional commercial radio was unwilling or unable to.
尽管美国的当代广播关注的受众范围很窄,但它仍然是商业性的,因此依赖于一个以市场为导向、厌恶风险、害怕反对同性恋或非二元性别的人以及政府监管机构指责的消费品行业。与异性恋听众不同,同性恋听众在广播中找到的不是指导他们从青春期到成年的导师,而是最终注定要完成的任务:试图遵守不适合他们的标准和仪式,或者对广播音乐歌词、唱片主持人的模式和广告中的文本进行另类解读,而这些文本构建了一个更适合他们的世界。在这篇文章中,我研究了各种各样有代表性的播客,并认为这种媒体具有独特的定位,可以向酷儿受众提供传统商业广播不愿或无法提供的东西。
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引用次数: 0
The Power of Podcasting: Telling Stories through Sound, Siobhan Mchugh (2022) 播客的力量:通过声音讲述故事,西沃恩·麦克休(2022)
Q1 Arts and Humanities Pub Date : 2023-04-01 DOI: 10.1386/rjao_00077_5
Gurvinder Aujla-Sidhu
Review of: The Power of Podcasting: Telling Stories through Sound, Siobhan Mchugh (2022) New York: Columbia University Press, 300 pp., ISBN 978-1-74223-702-2, p/bk, £28
书评:播客的力量:通过声音讲述故事,西奥汉·麦克休(2022)纽约:哥伦比亚大学出版社,300页,ISBN 978-1-74223-702-2, p/bk, 28英镑
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引用次数: 0
期刊
Radio Journal
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