Inventing the Reinvention? Tradition and the Body of Dancing Women

Yusti Dwi Nurwendah
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Abstract

Dance practice has long been associated with complex social and political historical functions. There is a lot of evidence showing the centrality of dance in society, and it has become an inseparable part of the historical process. At the same time, dance became a site associated with women. Based on Hobsbawn's idea of the invention of tradition, this paper investigates the Jathilan Obyog tradition in Ponorogo concerning the dominant elite and the role of Jathil women. To facilitate the investigation, this paper is conducted by a qualitative method with an ethnographic approach that includes participant observation, interviews, and documentation adapted to context and needs to reach the research objectives. This research applies the concept of the invention of tradition, which was first initiated by Eric Hobsbawn and Terence Ranger as the center of analysis. Finally, this paper argues that in a hegemonic endeavor that attempts to 'discipline' the tradition, Jathil women have succeeded in determining the power to reinvent tradition in picturesque ways, especially through the body and massive support of media to create a process of reconstructing social memory and imagination.
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发明再造?传统与舞蹈女性的身体
长期以来,舞蹈实践与复杂的社会政治历史功能联系在一起。有很多证据表明舞蹈在社会中的中心地位,它已经成为历史进程中不可分割的一部分。与此同时,舞蹈成为与女性联系在一起的场所。本文以霍布斯鲍恩的传统发明思想为基础,考察了波诺罗戈的贾提兰奥比格传统中关于统治精英和贾提尔妇女角色的问题。为了便于调查,本文采用民族志方法的定性方法进行,包括参与者观察,访谈和适应背景和需要达到研究目标的文件。本研究以Eric Hobsbawn和Terence Ranger最先提出的传统发明(invention of tradition)概念为分析中心。最后,本文认为,在试图“规范”传统的霸权努力中,贾蒂尔妇女成功地以独特的方式确定了重塑传统的力量,特别是通过身体和媒体的大量支持,创造了一个重建社会记忆和想象的过程。
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发文量
7
审稿时长
24 weeks
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