The Concept of “Genre” in the Scientific Heritage of Feodosy Rubtsov

Evgenia S. Redkova
{"title":"The Concept of “Genre” in the Scientific Heritage of Feodosy Rubtsov","authors":"Evgenia S. Redkova","doi":"10.17516/1997-1370-0879","DOIUrl":null,"url":null,"abstract":"Professor of the Leningrad State Conservatory composer Feodosy Antonovich Rubtsov (1904-1986) entered the history of Russian musicology as the author of the original concept of the structure of scales of folk songs. The scientist formulated main positions in monographs “Intonation Relations in the Songs of Slavs” (1962) and “The principles of mode construction in Russian Folk Songs” (1964). Comprehension of the concept of “genre”, the definition of genre features of traditional folk songs is a little-known side of Rubtsov’s scientific heritage. The study of archival documents (in particular, the transcripts of the report “Principles for Determining Genres of Folk Songs”, which was made in 1966 at the Leningrad department of the Union of Composers at the scientific conference “Theoretical Problems of Musical Forms and Genres”) shows that the scientist formulated a number of positions that were relevant for the 1960–1970. “Genre” is a genus and species concept, multi-level concept. The main criterion for determining the genre is the function, the stylistic features and the type of form are important too. Rubtsov noted that the genre system of folklore is capable of renewal, and the characteristic property of the genres of musical folklore lies in their ability in a certain context to act as a function of another genre","PeriodicalId":37201,"journal":{"name":"Journal of Siberian Federal University - Humanities and Social Sciences","volume":"57 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Siberian Federal University - Humanities and Social Sciences","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.17516/1997-1370-0879","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0

Abstract

Professor of the Leningrad State Conservatory composer Feodosy Antonovich Rubtsov (1904-1986) entered the history of Russian musicology as the author of the original concept of the structure of scales of folk songs. The scientist formulated main positions in monographs “Intonation Relations in the Songs of Slavs” (1962) and “The principles of mode construction in Russian Folk Songs” (1964). Comprehension of the concept of “genre”, the definition of genre features of traditional folk songs is a little-known side of Rubtsov’s scientific heritage. The study of archival documents (in particular, the transcripts of the report “Principles for Determining Genres of Folk Songs”, which was made in 1966 at the Leningrad department of the Union of Composers at the scientific conference “Theoretical Problems of Musical Forms and Genres”) shows that the scientist formulated a number of positions that were relevant for the 1960–1970. “Genre” is a genus and species concept, multi-level concept. The main criterion for determining the genre is the function, the stylistic features and the type of form are important too. Rubtsov noted that the genre system of folklore is capable of renewal, and the characteristic property of the genres of musical folklore lies in their ability in a certain context to act as a function of another genre
查看原文
分享 分享
微信好友 朋友圈 QQ好友 复制链接
本刊更多论文
论鲁夫佐夫科学遗产中的“体裁”概念
列宁格勒国立音乐学院教授、作曲家费奥多西·安东诺维奇·鲁普佐夫(1904-1986)作为民歌音阶结构的原创概念的作者,进入了俄罗斯音乐史。这位科学家在他的专著《斯拉夫人歌曲中的语调关系》(1962)和《俄罗斯民歌中的调式构建原则》(1964)中阐述了他的主要观点。对“体裁”概念的理解,对传统民歌体裁特征的界定,是鲁伯特索夫科学遗产中鲜为人知的一面。对档案文件的研究(特别是1966年在列宁格勒作曲家联盟部门在“音乐形式和流派的理论问题”科学会议上发表的“确定民歌流派的原则”报告的文本)表明,这位科学家制定了一些与1960-1970年相关的立场。“类型”是一个属和种的概念,多层次的概念。判断文体的主要标准是文体的功能,文体特征和形式类型也很重要。Rubtsov指出,民俗学的体裁系统具有更新的能力,音乐民俗学体裁的特性在于它们能够在一定的语境中充当另一体裁的功能
本文章由计算机程序翻译,如有差异,请以英文原文为准。
求助全文
约1分钟内获得全文 去求助
来源期刊
CiteScore
0.80
自引率
0.00%
发文量
14
期刊最新文献
Developing textile sustainability education in the curriculum: pedagogical approaches to material innovation in fashion. Polychromy in Modern Russian Sculpture On the attribution of the Stichera Cycle «Most Blessed Father» in honour of the Metropolitan of All Russia Peter to the musical and hymnographic works of Tsar Ivan the Terrible The Concept of “Genre” in the Scientific Heritage of Feodosy Rubtsov West-European Engraving in Siberian Collection: the Problems of Attribution (on the Basis of Yudin’s Collection)
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
×
提示
您的信息不完整,为了账户安全,请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
0
微信
客服QQ
Book学术公众号 扫码关注我们
反馈
×
意见反馈
请填写您的意见或建议
请填写您的手机或邮箱
已复制链接
已复制链接
快去分享给好友吧!
我知道了
×
扫码分享
扫码分享
Book学术官方微信
Book学术文献互助
Book学术文献互助群
群 号:481959085
Book学术
文献互助 智能选刊 最新文献 互助须知 联系我们:info@booksci.cn
Book学术提供免费学术资源搜索服务,方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。
Copyright © 2023 Book学术 All rights reserved.
ghs 京公网安备 11010802042870号 京ICP备2023020795号-1