Repertoar Musik Keroncong Dengan Menggunakan Idiom Musik Sunda: Implementasi Model Pembelajaran Kolaborasi pada Mata Kuliah Sejarah Analisis Musik Indonesia di Departemen Pendidikan Musik FPSD UPI Bandung

Hery Supiarza, Harry Tjahjodiningrat
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Abstract

Analysis at the Department of Music Education, FPSD, Universitas. Pendidikan Indonesia This study discusses the Implementation of Collaborative Learning Models in the History course of Indonesian music analysis at the Department of Music Education, UPI Baandung FPSD. The researcher as a lecturer in this course intends to add to the repertoire of keroncong songs, which since the 1980s keroncong song production has stalled due to competition in the Indonesian music industry. The Action Research method was used in this study to develop students' abilities in creating keroncong songs. 7 stages are used, starting from initial observation, analysis, combining ideas and ideas into big themes, evaluation exercises 1, recording and mastering. The results of this study created 10 keroncong music recordings as a product of a pure repertoire of student collaboration with the Sundanese traditional approach as the basis for creation. Future research will improve the 10 products into a more professional recording result. This research can be a reference for the application of collaborative learning models to create student work and creations in the arts.
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使用巽他音乐习语:印度尼西亚UPI音乐教育部(FPSD UPI)音乐音乐学院合作学习模式的曲目
音乐教育系分析,FPSD, Universitas。本研究探讨合众国际社万隆FPSD音乐教育系在印尼音乐分析历史课程中合作学习模式的实施。作为这门课程的讲师,研究人员打算增加keroncong歌曲的曲目,自20世纪80年代以来,由于印度尼西亚音乐产业的竞争,keroncong歌曲的制作停滞不前。本研究采用行动研究的方法,培养学生创作口角曲的能力。使用了7个阶段,从最初的观察、分析开始,将想法和想法组合成大主题,评价练习1,记录和掌握。本研究的结果创造了10个keronong音乐唱片,作为学生合作的纯曲目,以巽他传统方法为创作基础。未来的研究将把这10款产品完善成更专业的录音效果。本研究可为协同学习模式在艺术创作中的应用提供参考。
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