Keats’s 1817 Occasions

IF 0.2 3区 文学 Q2 Arts and Humanities STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2019-12-04 DOI:10.1353/sel.2019.0033
Jonathan Mulrooney
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引用次数: 1

Abstract

Abstract:This article argues that John Keats’s 1817 first volume Poems evinces a commitment to occasionalism that suffuses, and indeed defines, Keats’s work. Rather than simply viewing poems as responses to particular happenings, Keats deploys a mode of figuration in 1817 that, by privileging the notion of instance, displays the limits of poetry’s historically mediating operations. With a consideration of the volume’s arrangement, and close readings of how individual poems bring into relation the occasion of poetic composition and the occasion of the reading act, I argue that 1817 reenvisions poetry’s capacity to teach its readers how to make sense of events, and consequently asks us to rethink still-presiding notions of Keats’s poetic development.
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摘要:本文认为,济慈1817年出版的第一卷《诗作》体现了对偶然主义的承诺,这种承诺贯穿于济慈的作品之中,实际上也定义了济慈的作品。济慈并没有简单地将诗歌视为对特定事件的回应,而是在1817年运用了一种修辞模式,通过赋予实例的概念特权,显示了诗歌在历史上调解作用的局限性。考虑到这本书的编排,仔细阅读个别诗歌是如何将诗歌创作的场合和阅读行为的场合联系起来的,我认为《1817》重新审视了诗歌教会读者如何理解事件的能力,并因此要求我们重新思考济慈诗歌发展的主流观念。
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来源期刊
STUDIES IN ENGLISH LITERATURE 1500-1900
STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-
CiteScore
0.40
自引率
0.00%
发文量
8
期刊介绍: SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.
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