“The Bay Trees … Are All Withered”: Ecological Trauerspiel in Richard II

IF 0.2 3区文学 Q2 Arts and Humanities STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2022-03-01 DOI:10.1353/sel.2022.0001

Natalie Suzelis

引用次数: 0

Abstract

Abstract:This article places Richard II at the historical conjuncture of feudal dissolution and the ecological transition from the Medieval Warm Period to the Little Ice Age. I suggest that Richard II exemplifies a particular genre of ecological Trauerspiel in its Benjaminian view of history, tragedy, and time. Although Richard Halpern and Zenon Luis-Martinez have made the case for reading Richard II as Trauerspiel, I argue that the play’s dual sense of history and tragedy is ultimately indebted to the political and ecological terrain—the literal earth—on which it is enacted.

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“海湾树……都枯萎了”:《理查二世》中的生态训导

摘要:本文将理查二世置于封建解体和中世纪暖期向小冰期生态过渡的历史转折时期。我认为《理查二世》在其本杰明式的历史观、悲剧观和时间观中体现了一种特殊类型的生态悲剧。尽管理查德·哈尔彭和泽农·路易斯-马丁内斯提出将《理查二世》解读为《特拉华施皮尔》的理由，但我认为，这部戏剧对历史和悲剧的双重意义最终要归功于它所处的政治和生态环境——即它所处的真正的地球。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

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0.40

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期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.

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