{"title":"The \"Vagabond\" as a Nemesis of the Tourist: Toward a Postcolonial Critique of Zygmunt Bauman","authors":"Avishek Ray","doi":"10.3727/109830420x15894802540179","DOIUrl":null,"url":null,"abstract":"Zygmunt Bauman invokes the trope of vagrancy, wherein the \"vagabonds\" are squarely juxtaposed with the \"tourists\" who are, in sum, the global elite. For him, there are no vagabonds, they are only forced to be. This article questions Bauman's classificatory categories, his dualistic\n views, and the explanatory apparatus of the \"voluntary-versus-involuntary travel.\" If \"vagabond\" de facto means involuntary traveler, where in Bauman's schema are we going to place those itinerants—particularly, in the context of South Asia—who self-assert, and quite eloquently\n so, to be \"vagabonds\"? Using India as a case study, this article demonstrates how the trope of the vagabond has been perpetually leveraged—by certain political dissenters—to articulate a nonroutinized, noninstrumental, rhizomatic-style traveling, and by extension, political dissidence\n in the face of statist techniques of demographic control. Thinking in these terms, the imagination of vagabonds as volition-stripped travelers can be assumed to be a product of the Western value system (that uses the utility-maximized \"tourists\" as the prototype of traveler), which anyway\n cannot be universalized. This article, from a postcolonial vantage point, argues that Bauman's differentiation of the category \"vagabond\" has no resonance in India.","PeriodicalId":41836,"journal":{"name":"TOURISM CULTURE & COMMUNICATION","volume":"172 1","pages":"107-116"},"PeriodicalIF":0.5000,"publicationDate":"2020-07-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"TOURISM CULTURE & COMMUNICATION","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.3727/109830420x15894802540179","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"HOSPITALITY, LEISURE, SPORT & TOURISM","Score":null,"Total":0}
引用次数: 0
Abstract
Zygmunt Bauman invokes the trope of vagrancy, wherein the "vagabonds" are squarely juxtaposed with the "tourists" who are, in sum, the global elite. For him, there are no vagabonds, they are only forced to be. This article questions Bauman's classificatory categories, his dualistic
views, and the explanatory apparatus of the "voluntary-versus-involuntary travel." If "vagabond" de facto means involuntary traveler, where in Bauman's schema are we going to place those itinerants—particularly, in the context of South Asia—who self-assert, and quite eloquently
so, to be "vagabonds"? Using India as a case study, this article demonstrates how the trope of the vagabond has been perpetually leveraged—by certain political dissenters—to articulate a nonroutinized, noninstrumental, rhizomatic-style traveling, and by extension, political dissidence
in the face of statist techniques of demographic control. Thinking in these terms, the imagination of vagabonds as volition-stripped travelers can be assumed to be a product of the Western value system (that uses the utility-maximized "tourists" as the prototype of traveler), which anyway
cannot be universalized. This article, from a postcolonial vantage point, argues that Bauman's differentiation of the category "vagabond" has no resonance in India.
期刊介绍:
Tourism, Culture & Communication is the longest established international refereed journal that is dedicated to the cultural dimensions of tourism. The editors adopt a purposefully broad scope that welcomes readers and contributors from diverse disciplines and who are receptive in a wide variety of research methods. While potential cultural issues and identities are unlimited, there is a requirement that their consideration should relate to the tourism and hospitality domain. Tourism, Culture & Communication provides readers with multidisciplinary perspectives that consider topics and fields extending beyond national and indigenous cultures as they are traditionally understood and recognized. Coverage may extend to issues such as cultural dimensions of the United Nations’ Sustainable Development Goals (SDGs), gender and tourism, managing tourists with disabilities, sport tourism, or age-specific tourism. Contributions that draw upon the communications literature to explain the tourism phenomenon are also particularly welcome. Beyond the focus on culture and communications, the editors recognize the important interrelationships with economies, society, politics, and the environment. The journal publishes high-quality research and applies a double-blind refereeing process. Tourism, Culture & Communication consists of main articles, major thematic reviews, position papers on theory and practice, and substantive case studies. A reports section covers specific initiatives and projects, “hot topics,” work-in-progress, and critical reviews.