On the Philosophical Characteristics and Historical Context of Chinese Traditional Aesthetic Thoughts

Yang Jiyong
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引用次数: 2

Abstract

 In order to study the philosophical characteristics of traditional literary theory and aesthetic thought, and even the inherent characteristics of traditional Chinese civilization, how should we summarize it? What is the historical trajectory of its evolution? Starting from the classics such as Wen Xin Diao Long in the Six Dynasties, going back to the pre-Qin Dynasty, and then examining the Tang and Song Dynasties, it is found that the dual isomorphism that summarizes the explicit and implicit attributes and certain laws can be extracted from it; it can be proved that it dominates many aesthetic principles and psychology. The approach, emphasizing transcending the present appearance, paying attention to the origin, and expanding the aesthetic vision, belongs to the commonality of the psychological awareness of the national traditional culture. The contextual trajectory of contemporary literature and art and other modern constructions, only by following the trend of cultural context operation can it realize the transformation of literary discourse, highlight Taoism and tradition, and stand alone among the nations of the world.
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论中国传统美学思想的哲学特征与历史脉络
为了研究传统文论和美学思想的哲学特征,甚至中国传统文明的内在特征,我们应该如何总结?它演变的历史轨迹是怎样的?从六朝《文心雕龙》等经典入手,回溯到先秦,再考察唐宋时期,可以从中提炼出概括了显、隐属性和一定规律的双重同构;可以证明,它支配着许多美学原则和心理。这种强调超越当下表象、关注本源、拓展审美视野的方式,属于民族传统文化心理意识的共性。当代文学艺术等现代建构的语境轨迹,只有顺应文化语境运作的潮流,才能实现文学话语的转型,彰显道家与传统,立于世界民族之林。
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