Spatiotemporal Explorations

PRISM Pub Date : 2022-03-01 DOI:10.1215/25783491-9645902
Frederike Schneider-Vielsäcker
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Abstract

This article examines sociopolitical commentary in contemporary Chinese science fiction literature written by authors of the post-1980s generation. With a close reading of Hao Jingfang's 郝景芳 “Beijing zhedie” 北京折疊 (Folding Beijing, 2014) and Chen Qiufan's 陳楸帆 “Lijiang de yu'ermen” 麗江的魚兒們 (The Fish of Lijiang, 2006), the analysis focuses on how these works reflect the lived experience of ordinary urbanities in postmodern China and pays particular attention to the stories' engagement with the chronotope. This article argues that through the chronotope contemporary Chinese science fiction stories express unease about rapid transformation and visualize a divided Chinese society characterized by spatial disparity.
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时空的探索
本文考察了中国当代80后科幻文学中的社会政治评论。通过仔细阅读郝景芳的《北京折》(北京,2014)和陈秋帆的《丽江之鱼》(丽江之鱼,2006),分析这些作品如何反映后现代中国普通城市居民的生活经验,并特别关注故事与时间表的关系。本文认为,当代中国科幻小说通过时间轴表达了对快速变革的不安,呈现了一个以空间差异为特征的分裂的中国社会。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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PRISM
PRISM Arts and Humanities-Literature and Literary Theory
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Chapter Seven: Art and Labor in Han Song's Regenerated Bricks Chapter One: Confucianism and Nature Chapter Eight: Toxic Colonialism, Alienation, and Posthuman Dystopia in Chen Qiufan Chapter Ten: Critical Ecotopia in Hao Jingfang's Vagabonds Chapter Four: We Are the Dragon King
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