Chapter Four: We Are the Dragon King

PRISM Pub Date : 2022-12-01 DOI:10.1215/25783491-10259402
Ban Wang
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Abstract

Rather than a war against nature, a genuine production is premised on the humanization of nature by producing use values while changing human inner nature. Socialist production strives to achieve an ecologically sound economy whereby labor on nature is in sync with the realization of human inner potentials. In the two-part film Young People in Our Village, young people of a small village modify the natural environment, channel water resources, and solve the perennial scourge of water shortage. Rather than being at the mercy of drought, the young villagers launch into a water project. Instead of a conquest of nature, their enterprise represents a necessary life-affirming and life-saving production to modify nature by exercising their sovereignty, intelligence, technoscientific knowledge, and productive skills.
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第四章:我们是龙王
真正的生产不是对自然的战争,而是在改变人的内在本性的同时,通过生产使用价值来实现自然的人性化。社会主义生产力求实现对自然的劳动与实现人的内在潜能同步的生态经济。在两集电影《我们村的年轻人》中,一个小村庄的年轻人改造自然环境,疏导水资源,解决长期缺水的祸患。年轻的村民们没有受干旱的摆布,而是开始了一项水利工程。他们的事业不是征服自然,而是通过行使他们的主权、智慧、科技知识和生产技能,进行必要的肯定生命和拯救生命的生产,以改变自然。
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来源期刊
PRISM
PRISM Arts and Humanities-Literature and Literary Theory
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Chapter Seven: Art and Labor in Han Song's Regenerated Bricks Chapter One: Confucianism and Nature Chapter Eight: Toxic Colonialism, Alienation, and Posthuman Dystopia in Chen Qiufan Chapter Ten: Critical Ecotopia in Hao Jingfang's Vagabonds Chapter Four: We Are the Dragon King
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