Constructing a New Sexual Paradigm

PRISM Pub Date : 2020-10-01 DOI:10.1215/25783491-8690388
Liangzi Shi
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Abstract

At the turn of the twentieth century Chinese sexuality underwent a metamorphosis, resulting in the replacement of a rich indigenous discourse by imported Western theories. This article traces the evolution of a modern subject and episteme emerging from the historical transformation in the area of same-sex relations and delineates the perspectives and values that clashed in the encounter of cultures. A key text the author examines is an official decree of 1912 that outlawed xianggong houses in Beijing, signifying the death of the custom of xianggong, which it condemned, in new Western terms, as decadent, immoral, and disgraceful. The study analyzes indigenous terms such as mojing 磨鏡 (mirror rubbing) and nanfeng 男風 (male wind) and compares them with their replacements, for example, tongxing'ai 同性愛 and tongxinglian 同性戀 (homosexuality), to illuminate the differences in their social-historical significations. The author concludes that the Republican era witnessed the construction of a new sexual taxonomy centered on the dichotomy of heterosexuality and homosexuality.
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构建新的性范式
在二十世纪之交,中国的性学经历了一次蜕变,导致丰富的本土话语被舶来的西方理论所取代。本文追溯了从同性关系领域的历史转变中出现的现代主题和知识的演变,并描绘了在文化相遇中发生冲突的观点和价值观。作者考察的一个关键文本是1912年的一项官方法令,该法令宣布北京的相公住宅为非法,标志着相公习俗的死亡,用新的西方术语来说,它被谴责为颓废、不道德和可耻的。本研究分析了摩镜、男风等本土术语,并将其与“同兴爱”、“同兴廉”等替代词进行了比较,以阐明它们在社会历史意义上的差异。作者认为,民国时期以异性恋和同性恋的二分法为中心,建立了一种新的性分类法。
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PRISM
PRISM Arts and Humanities-Literature and Literary Theory
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