Visual Image Statistics in the History of Western Art

IF 0.1 4区 艺术学 0 ART CERAMICS-ART AND PERCEPTION Pub Date : 2018-10-17 DOI:10.1163/22134913-20181092
G. Mather
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引用次数: 13

Abstract

The history of Western visual art is traditionally divided into a succession of stylistic movements on the basis of the art-historical provenance and visual qualities of artworks. Little is known about how the visual statistics of Western artworks have changed over time, though this data could inform debate about the transitions between art movements. This longitudinal statistical study shows that two measures of the statistics of Western paintings remained relatively stable for 500 years, and similar to the values found in photographic images depicting the same subjects. Dramatic changes began in the late nineteenth century between the years 1878 and 1891, when the statistics of artworks became steadily more variable, and more frequently departed from values that are typical of representational images. This period can be considered as a major turning point that marks the beginning of the Modern Art movement. Statistically, abstract Modern art is more diverse than the representational art of any period. There is only limited evidence that aesthetic responses to paintings bear any relation to their visual statistics.
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西方美术史上的视觉形象统计
传统上,西方视觉艺术史根据艺术史的起源和艺术作品的视觉品质划分为一系列风格运动。西方艺术作品的视觉统计数据是如何随着时间的推移而变化的,人们知之甚少,尽管这些数据可以为有关艺术运动之间过渡的辩论提供信息。这项纵向统计研究表明,西方绘画的两种统计方法在500年内保持相对稳定,与描绘同一主题的摄影图像的值相似。19世纪末1878年至1891年间,艺术作品的统计数据开始发生戏剧性的变化,当时艺术作品的统计数据变得越来越多变,而且越来越频繁地偏离典型的代表性图像的价值。这一时期可以被认为是标志着现代艺术运动开始的一个重要转折点。据统计,抽象的现代艺术比任何时期的具象艺术都更加多样化。只有有限的证据表明,对绘画的审美反应与它们的视觉统计有任何关系。
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