Orange & Teal

IF 0.1 4区 艺术学 N/A ART CERAMICS-ART AND PERCEPTION Pub Date : 2021-01-01 DOI:10.1163/22134913-bja10018
J. Koenderink, A. van Doorn
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引用次数: 1

Abstract

‘Orange & Teal’ has become the preferred ‘look’ of the Hollywood movie industry. Is this craze just another arbitrary fashion? Possibly not, because ‒ apart from the name ‒ this palette has been around for ages in the visual arts. It is variously known as ‘painting in cool and warm,’ drawing a trois croyons, use of a ‘limited palette,’ and so forth. This leaves open the question of whether there might be one or more fundamental reasons for the preference for this particular dichromatic pair. Why not yellow–blue, red–turquoise, or green–purple? Reasons might be sought in human anatomy/physiology, physics of surface scattering, or the ecology of the human Umwelt. An in-depth analysis reveals that all these factors cooperate to render the orange & teal complementary palette indeed special. It involves world, body and mind and has to be understood in a proper semiotical (biological) setting.
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橙色和蓝绿色
“橙色和蓝绿色”已经成为好莱坞电影行业的首选“外观”。这股热潮只是另一种武断的时尚吗?可能不是,因为除了名字之外,这个调色板在视觉艺术中已经存在了很长时间。它被称为“冷暖相间的绘画”,画三个人偶,使用“有限的调色板”等等。这留下了一个问题,是否有一个或多个基本原因导致对这种特殊的二色对的偏好。为什么不是黄蓝色、红绿松石色或绿紫色呢?原因可以从人体解剖学/生理学、表面散射物理学或人类环境生态学中寻找。深入分析表明,所有这些因素合作,使橙色和青色互补调色板确实特别。它涉及世界,身体和心灵,必须在适当的符号学(生物学)环境中理解。
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