Can the Discreditable be an Advantage? Mental Illnesses as Metaphors on Rhetorical Usages for Language Teaching

Yuting Shih, Shu-Chuan Chen
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Abstract

Mental illnesses often inspire artists and writers and are omnipresent in various works, yet the moral adequacy of portraying their images remained controversial: Erving Goffman (2010) had described the challenges the “discreditables” might have faced and the privileges they might get once being uncovered in his essay. However, Susan Sontag believed that wrapping disease in metaphors discouraged, silenced, and shamed patients in her Illness as Metaphor. This paper aims to center the discussion on what the diseases and the patients will represent and the privileges be demonstrated in these texts from a rhetorical aspect? By applying principally the theories of uncanny, abjection, and stigma, this paper has built a theory on presuming Meursault in Camus’s The Stranger has Asperger, then analyze the power of stigma in two recent works: the episode “ADHD Is Necessary” in Taiwanese TV drama: On Children, and a French novel: Nothing Holds Back the Night. The results showed that the mental illness can be an advantageous and necessary metaphor, just as an endowing “Mark of Cain”, threatening yet defensive. Meanwhile
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信誉不佳能成为优势吗?心理疾病隐喻:语言教学中的修辞用法
精神疾病经常激发艺术家和作家的灵感,在各种作品中无处不在,然而描绘他们形象的道德充充性仍然存在争议:欧文·戈夫曼(2010)在他的文章中描述了“不值得信任的人”可能面临的挑战,以及他们一旦被揭露可能获得的特权。然而,苏珊·桑塔格认为,用隐喻来包装疾病会使病人气馁、沉默和羞愧。本文旨在从修辞学的角度,集中讨论这些文本中疾病和病人将代表什么以及所展示的特权。本文主要运用诡异理论、卑贱理论、污名理论,对加缪《陌生人有阿斯伯格症》中默尔索的假设进行理论建构,并分析台湾电视剧《论儿童》中的“ADHD是必要的”一集和法国小说《无事阻挡夜》中污名的力量。结果表明,心理疾病可以是一种有利而必要的隐喻,就像一种赋能性的“该隐记号”,既具有威胁性,又具有防御性。与此同时
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