A Study of Akutagawa Ryunosuke’s “Spring Nights”:The Ways in which the Mystery is Understood

Q4 Arts and Humanities Gwagyeong Ilboneo Munhak Yeongu Pub Date : 2022-06-28 DOI:10.22628/bcjjl.2022.14.1.31
XiangHua Jin
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Abstract

Akutagawa Ryunosuke’s later story “Spring Nights” (“Bungei Shunju”), published in September 1926, is a work that has not been much discussed. During his stay in his wife’s parents’ house in Kugenuma in 1926, from June 8th to the end of the month, he received the said material from the nurse who accompanied him. In previous interpretative studies of this work, it has been perceived that the theme of the “Shadow of Death” represents creeping melancholy. However, the main focus of this work is the “strangeness” of the experience which Ms. N talked about. In other words, it seems that the author’s aim was to create a mystery that could not be interpreted on the basis of knowledge of natural science. Therefore, in this light, I would like to attempt a new reading of “Spring Nights” in this article.
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芥川龙之介《春夜》研究——解读神秘的途径
芥川龙之介后来的小说《春夜》(Bungei Shunju)发表于1926年9月,是一部没有太多讨论的作品。1926年6月8日至月底,他住在久原沼岳父母家期间,从陪同他的护士那里收到了上述材料。在之前对这部作品的解释性研究中,人们认为“死亡的阴影”的主题代表着缓慢的忧郁。然而,这个作品的主要焦点是N女士所说的经历的“陌生感”。换句话说,作者的目的似乎是创造一个无法以自然科学知识为基础解释的奥秘。因此,鉴于此,我想在本文中尝试对《春夜》进行新的解读。
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发文量
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审稿时长
23 weeks
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