Shattered Identity of Immigrant Artist and Creation of Art in a Hybridized Space: The Case Study of A Girl Walks Home Alone at Night

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2020-12-03 DOI:10.5195/cinej.2020.220
Hoda Shabrang
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引用次数: 1

Abstract

In this article, first the “paradox of assimilation and difference” and its consequences will be discussed and next the movie A Girl Walks Home Alone at Night by Ana Lily Amirpour who is an immigrant IranianAmerican director will be analyzed. The aim is to show how her shattered identity as an immigrant is represented in her art. Her movie is an amalgamation of different signs from both cultures. These signs are not completely related to host culture (American) or local culture (Iranian). Although this impossible situation seems very painful at the first glance, it is beneficial for immigrant artist. In this hybridized space, she creates a kind of art which is very innovative and unique, because she is not forced to follow the cliché styles which those cultures are dictating her.
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移民艺术家身份的破碎与杂化空间中的艺术创作——以《一个女孩深夜独自回家》为例
本文将首先讨论“同化与差异的悖论”及其后果,然后分析伊朗裔美国移民导演安娜·莉莉·阿米普尔的电影《一个女孩深夜独自回家》。目的是展示她作为移民的破碎身份是如何在她的艺术中表现出来的。她的电影融合了两种文化的不同标志。这些标志与东道国文化(美国)或当地文化(伊朗)并不完全相关。虽然这种不可能的处境乍一看似乎很痛苦,但对移民艺术家来说却是有益的。在这个混杂的空间里,她创造了一种非常创新和独特的艺术,因为她没有被迫遵循那些文化所规定的陈腐风格。
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CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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审稿时长
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