Paggi, coppieri e imberbi: gli effeminati nella cultura persiana

IF 0.1 Q4 WOMENS STUDIES Storia delle Donne Pub Date : 2021-07-07 DOI:10.36253/sd-11467
Anna Vanzan
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引用次数: 0

Abstract

Mentioned in the Qur’an and ḥadīṯs, described by Muslim treaties of medicine, and celebrated in the literature and visual arts, effeminates have a central place in Persianate culture, as indicated by the fact that Persian language has a rich vocabulary to define them. Poetry also abounds of aesthetic and erotic descriptions that turn effeminates into objects of desire, at time sublimating them with mystic fervour, at other times celebrating them more prosaically and physically. Through a diachronic approach, the essay places these figures in a theoretical, socio-cultural and artistic-literary perspective.
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佩吉、酒保和伊姆比:波斯文化中的娘娘腔
在《古兰经》和ḥadīṯs中提到,在穆斯林医学条约中描述,在文学和视觉艺术中赞美,女性在波斯文化中占有中心地位,波斯语中有丰富的词汇来定义女性。诗歌也有大量的审美和情色描写,把女性变成欲望的对象,有时用神秘的热情升华她们,有时用更平淡和身体的方式赞美她们。通过历时的方法,本文将这些人物置于理论,社会文化和艺术文学的角度。
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来源期刊
Storia delle Donne
Storia delle Donne WOMENS STUDIES-
自引率
0.00%
发文量
8
审稿时长
3 weeks
期刊最新文献
«Et io ne vidi uno in Napoli». Orientalismo e processi di patrimonializzazione dei femminielli napoletani Paggi, coppieri e imberbi: gli effeminati nella cultura persiana «Come muovermi nel mio corpo da uomo»: il corpo maschile travestito nel teatro inglese, dai ragazzi attori a Caryl Churchill Ritratto dell’artista da effeminato. Agatone e Zambinella «Sei troppo effemminato. / Di femmina son nato». Infrazione di codici e fluidità di genere in alcuni libretti d’opera del Seicento veneziano
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