Emma and the “Chimera of Relativism”

IF 0.2 3区文学 Q2 Arts and Humanities STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2021-07-22 DOI:10.1353/sel.2020.0028

Yasmin Solomonescu

引用次数: 0

Abstract

Abstract:While a hallmark of Jane Austen’s fiction is that characters’ firmly held own truths often become the basis for learning a few home truths, something distinctive is at work in Emma. This article argues that the novel distinguishes an ethically viable relativism from the alternatives of both an absolutist belief in fixed truths and the anything-goes attitude recently dubbed the “chimera of relativism.” Expressed chiefly through plot developments, dialogue, and narrative technique, this stance has significant consequences for how we understand the novel and how we understand the kinds of social and interpretive community that it imagines.

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艾玛与“相对主义的幻想”

摘要:简·奥斯丁小说的一个特点是，人物坚定的真理往往成为学习一些真理的基础，而爱玛则有一些独特的东西在起作用。本文认为，小说将道德上可行的相对主义与对固定真理的绝对主义信仰和最近被称为“相对主义的嵌合体”的任何态度的替代品区分开来。这种立场主要通过情节发展、对话和叙事技巧来表达，对我们如何理解小说以及我们如何理解小说所想象的社会和解释性社区有着重要的影响。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

CiteScore

0.40

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0.00%

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期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.

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