Depictions of St. Mark of Ephesus in post-Byzantine art

IF 0.1 0 MEDIEVAL & RENAISSANCE STUDIES Zbornik Radova Vizantoloskog Instituta Pub Date : 2020-01-01 DOI:10.2298/ZRVI2057143Z
Miloš Živković
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Abstract

The paper discusses the visual representations of St. Mark of Ephesus, under-researched in previous scholarship, which have survived in several monuments of post-Byzantine wall painting in the Balkans. These depictions are analyzed as visual testimonies of the veneration of Mark of Ephesus in the period under consideration, i.e. as important indicators of the presence, continuity and dissemination of his cult a long time before his official canonization in the 18th century. The paper also offers an overview of the different iconographic versions of the images of St. Mark of Ephesus. Finally, it examines the possible reasons for the emergence of images representing this famed anti-Unionist metropolitan in the discussed monuments. In this context, the images of Mark of Ephesus are considered through the prism of their placement in a given iconographic program; wherever possible, the role of the ktetor and artist in their creation is examined.
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后拜占庭艺术中对以弗所圣马可的描绘
本文讨论了以弗所的圣马可的视觉表现,在以前的学术研究中没有得到充分的研究,这些表现在巴尔干半岛的几个后拜占庭壁画纪念碑中幸存下来。这些描述被分析为以弗所马可崇拜的视觉见证,即作为他的崇拜在18世纪正式册封之前很长一段时间的存在,连续性和传播的重要指标。本文还提供了不同的图像版本的圣马可以弗所的形象的概述。最后,它探讨了在讨论的纪念碑中出现这个著名的反联合主义大都市形象的可能原因。在这种背景下,以弗所马可的形象是通过他们在给定的图像程序中的位置的棱镜来考虑的;只要有可能,他们的创作检查的角色,画家和艺术家。
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来源期刊
Zbornik Radova Vizantoloskog Instituta
Zbornik Radova Vizantoloskog Instituta MEDIEVAL & RENAISSANCE STUDIES-
CiteScore
0.20
自引率
0.00%
发文量
0
审稿时长
25 weeks
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