Unruly Landscapes of a Diasporic Return

A. Toivanen
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Abstract

Juillet au pays: Chroniques d’un retour à Madagascar (“July in the Country: Chronicles of a Return to Madagascar,” 2007) narrates the “homecoming” of the diasporic author Michèle Rakotoson after several years of absence. Applying a literary mobility studies perspective and contributing to the dialogue between mobilities research and postcolonial literary studies, this article analyzes how Rakotoson’s return travelogue constructs Madagascan landscapes through the interplay of mobility and memory. The article focuses on the text’s representations of mobility practices and how different means of transport affect the returnee’s impressions of the “homely” landscapes and her own positioning with respect to them. While different mobility practices and modes of transport and their intertwinement with personal/collective memories allow for diverse perspectives on the former home, the landscapes of return remain unruly: they are mobile not only because observed while in movement, but also because their present meanings escape from the returnee.
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散居者回归时难以驾驭的风景
《七月的马达加斯加:回归马达加斯加的编年史》(2007)讲述了散居国外的作家米歇尔·拉克托森(mich Rakotoson)在离开几年后的“回归”。本文运用文学流动研究的视角,探讨流动研究与后殖民文学研究之间的对话,分析Rakotoson的回归游记如何透过流动与记忆的相互作用,建构马达加斯加风景。本文重点关注文本对流动实践的表现,以及不同的交通工具如何影响海归对“家常”景观的印象以及她对这些景观的定位。虽然不同的流动实践和运输方式及其与个人/集体记忆的交织允许对故居的不同视角,但回归的景观仍然不受约束:它们是流动的,不仅因为在运动中观察,而且因为它们目前的意义从回归者那里逃脱。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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CiteScore
0.70
自引率
33.30%
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