Pub Date : 2022-06-01DOI: 10.3167/trans.2022.120208
Yi Fan Liu
There is a myriad of ideas, often from companies and governments, on what sustainable mobilities should look like and how people should be engaging them. Yet top-down narratives do not always adequately reflect laypeople's mobilities on the ground, and so this article explores the idea of dreams as a way of subverting pre-existing imaginations and redistributing freedoms to move sustainably on one's own terms. Dreams as imaginative forms of inquiry could also expand epistemic frontiers to include voices that have hitherto been under-represented. Where personal dreams contest the status quo, the aim is not about dismissing the productive possibilities from experimental dreams of the technological elite. Instead, this discussion uses the rhetoric of parables as a way to caution against enterprises that expand too quickly without means of care to sustain operations. Thus, this article suggests the labors of repair and maintenance as future avenues of research for sustainable mobility.
{"title":"Dreams and Parables of Sustainable Mobilities","authors":"Yi Fan Liu","doi":"10.3167/trans.2022.120208","DOIUrl":"https://doi.org/10.3167/trans.2022.120208","url":null,"abstract":"\u0000There is a myriad of ideas, often from companies and governments, on what sustainable mobilities should look like and how people should be engaging them. Yet top-down narratives do not always adequately reflect laypeople's mobilities on the ground, and so this article explores the idea of dreams as a way of subverting pre-existing imaginations and redistributing freedoms to move sustainably on one's own terms. Dreams as imaginative forms of inquiry could also expand epistemic frontiers to include voices that have hitherto been under-represented. Where personal dreams contest the status quo, the aim is not about dismissing the productive possibilities from experimental dreams of the technological elite. Instead, this discussion uses the rhetoric of parables as a way to caution against enterprises that expand too quickly without means of care to sustain operations. Thus, this article suggests the labors of repair and maintenance as future avenues of research for sustainable mobility.","PeriodicalId":43789,"journal":{"name":"Transfers-Interdisciplinary Journal of Mobility Studies","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"76896437","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.3167/trans.2022.120207
M. Gearey
Hark—the Tiddy Mun, lurching from the murk. Beware Will-o’-the-Wisp, seducing benighted travelers into the swamp. Hear the padding of the Black Shuck. The incumbents of moors, marshes, fens, and levels mobilized their extra-territorium poaching, smuggling, distilling, arms caching, and rough justice activities unimpeded through perpetuating imaginaries of fear and anxiety. Disorientating wetland mythologies and folklore still resonate today within our contemporary cultural and literary narratives of these paludal spaces. This article explores how these uncanny representations compromise wetlands’ future protection. Wetlands’ carbon sequestration, floodwater storage, and biodiversity properties contribute significantly to climate change adaptation strategies. Yet delinquency, vandalism, fly-tipping, and arson in these waterscapes evidence continued contemporary human disregard. Empirical findings from the WetlandLIFE project show the diverse ways in which these narratives are being shifted toward a “nowtopian” framing, to encourage people to use and value wetlands differently, to prevent further degradation of these complex, vital, and unruly landscapes.
{"title":"English Wetland Immersions","authors":"M. Gearey","doi":"10.3167/trans.2022.120207","DOIUrl":"https://doi.org/10.3167/trans.2022.120207","url":null,"abstract":"\u0000Hark—the Tiddy Mun, lurching from the murk. Beware Will-o’-the-Wisp, seducing benighted travelers into the swamp. Hear the padding of the Black Shuck. The incumbents of moors, marshes, fens, and levels mobilized their extra-territorium poaching, smuggling, distilling, arms caching, and rough justice activities unimpeded through perpetuating imaginaries of fear and anxiety. Disorientating wetland mythologies and folklore still resonate today within our contemporary cultural and literary narratives of these paludal spaces. This article explores how these uncanny representations compromise wetlands’ future protection. Wetlands’ carbon sequestration, floodwater storage, and biodiversity properties contribute significantly to climate change adaptation strategies. Yet delinquency, vandalism, fly-tipping, and arson in these waterscapes evidence continued contemporary human disregard. Empirical findings from the WetlandLIFE project show the diverse ways in which these narratives are being shifted toward a “nowtopian” framing, to encourage people to use and value wetlands differently, to prevent further degradation of these complex, vital, and unruly landscapes.","PeriodicalId":43789,"journal":{"name":"Transfers-Interdisciplinary Journal of Mobility Studies","volume":"40 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84907557","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.3167/trans.2022.120203
N. Ferguson
This article, one element in a multifaceted art research project, explores the agency of the aircraft landing gear compartment (wheel bay) in global transfer. It takes as its beginning histories of human and other-than-human actors falling from aircraft wheel bays as aircraft descend into London Heathrow and asks what art research can bring to the problem of their political and ethical framing. Its theoretical touchstones include John Ruskin on dust and the object-oriented philosophies of new materialism. These are brought into conversation with an account of the process of modeling and exhibiting a wheel bay, as well as extracts from a microstratigraphic survey conducted on the original. The article ultimately contends that the wheel bay gives shape to otherwise intangible aeromobilities, knowledge of which is integral to a nuanced understanding of the political geography of airspace at London Heathrow.
{"title":"Migrating Landscapes","authors":"N. Ferguson","doi":"10.3167/trans.2022.120203","DOIUrl":"https://doi.org/10.3167/trans.2022.120203","url":null,"abstract":"\u0000This article, one element in a multifaceted art research project, explores the agency of the aircraft landing gear compartment (wheel bay) in global transfer. It takes as its beginning histories of human and other-than-human actors falling from aircraft wheel bays as aircraft descend into London Heathrow and asks what art research can bring to the problem of their political and ethical framing. Its theoretical touchstones include John Ruskin on dust and the object-oriented philosophies of new materialism. These are brought into conversation with an account of the process of modeling and exhibiting a wheel bay, as well as extracts from a microstratigraphic survey conducted on the original. The article ultimately contends that the wheel bay gives shape to otherwise intangible aeromobilities, knowledge of which is integral to a nuanced understanding of the political geography of airspace at London Heathrow.","PeriodicalId":43789,"journal":{"name":"Transfers-Interdisciplinary Journal of Mobility Studies","volume":"166 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83885013","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.3167/trans.2022.120204
L. Bagnoli
The toponymical landscape is created by and perceived through place names. A place name arises when a society attributes values to space but, with the transformations of societies, it can evolve or simply be accompanied by new specifications. This study analyses public transport station names. It indicates how urban facilities need to be specified on the signs, and also reveals the way in which companies purchase the right to rename locations for advertising purposes. A spontaneous process of place name attribution is designated “unruly,” while the word “ruly” signals a sponsored event, with evident privatization of the public space.
{"title":"Visual and Toponymical Landscape","authors":"L. Bagnoli","doi":"10.3167/trans.2022.120204","DOIUrl":"https://doi.org/10.3167/trans.2022.120204","url":null,"abstract":"\u0000The toponymical landscape is created by and perceived through place names. A place name arises when a society attributes values to space but, with the transformations of societies, it can evolve or simply be accompanied by new specifications. This study analyses public transport station names. It indicates how urban facilities need to be specified on the signs, and also reveals the way in which companies purchase the right to rename locations for advertising purposes. A spontaneous process of place name attribution is designated “unruly,” while the word “ruly” signals a sponsored event, with evident privatization of the public space.","PeriodicalId":43789,"journal":{"name":"Transfers-Interdisciplinary Journal of Mobility Studies","volume":"1 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"75103809","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.3167/trans.2022.120205
I. Hansen
Engaging with the US author Paul Auster's fiction, the article explores how the stories his characters tell, in order to survive traumatic experiences, move them across their urban landscapes. Focusing on Auster's Moon Palace (1989) and In the Country of Last Things (1987), the article shows how the mobility of the main characters’ stories opens a parallax view, which reveals the past as an integral part of the experience of the present moment and the negotiation of trauma.
{"title":"A Parallax Reality","authors":"I. Hansen","doi":"10.3167/trans.2022.120205","DOIUrl":"https://doi.org/10.3167/trans.2022.120205","url":null,"abstract":"\u0000Engaging with the US author Paul Auster's fiction, the article explores how the stories his characters tell, in order to survive traumatic experiences, move them across their urban landscapes. Focusing on Auster's Moon Palace (1989) and In the Country of Last Things (1987), the article shows how the mobility of the main characters’ stories opens a parallax view, which reveals the past as an integral part of the experience of the present moment and the negotiation of trauma.","PeriodicalId":43789,"journal":{"name":"Transfers-Interdisciplinary Journal of Mobility Studies","volume":"63 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"91002063","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-06-01DOI: 10.3167/trans.2022.120206
T. Tuvikene
This article works at the intersection of mobilities and landscape studies. It shows absence-presence as a principal means by which mobilities are related to landscape, thus enabling the concept of landscape to be elaborated with regard to the politics of community, the ways in which embodied practices manifest themselves and create place, and the intertwinement of the cultural and the natural. To elaborate the conceptual argument, the article presents the case study of a planned but never fully realized high-speed tramline running through a residential area of Tallinn, Estonia. To explore the multiple absences of what was planned and the presence of imagined and a few realized landscape elements, the article makes use of artistic works, such as a skiing performance of infrastructure re-creation (Invisible Tramline).
{"title":"Absence, Presence, and Mobility","authors":"T. Tuvikene","doi":"10.3167/trans.2022.120206","DOIUrl":"https://doi.org/10.3167/trans.2022.120206","url":null,"abstract":"This article works at the intersection of mobilities and landscape studies. It shows absence-presence as a principal means by which mobilities are related to landscape, thus enabling the concept of landscape to be elaborated with regard to the politics of community, the ways in which embodied practices manifest themselves and create place, and the intertwinement of the cultural and the natural. To elaborate the conceptual argument, the article presents the case study of a planned but never fully realized high-speed tramline running through a residential area of Tallinn, Estonia. To explore the multiple absences of what was planned and the presence of imagined and a few realized landscape elements, the article makes use of artistic works, such as a skiing performance of infrastructure re-creation (Invisible Tramline).","PeriodicalId":43789,"journal":{"name":"Transfers-Interdisciplinary Journal of Mobility Studies","volume":"20 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-06-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84670407","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.3167/trans.2022.120102
Margherita Cisani, Laura Lo Presti, L. Pearce, Giada Peterle, Chiara Rabbiosi
In June 2020, the Centre for Mobilities Research (CeMoRe) at the University of Lancaster (UK) and the Centre for Advanced Studies in Mobility & Humanities (MoHu) at the University of Padua (Italy) co-hosted an international conference on the theme of “Unruly Landscapes.” As a result of the pandemic, the two-day event had to be moved online, but participants nevertheless enjoyed two days of inspiring discussion as the speakers engaged with the intersection of landscape and mobility from a variety of disciplines and approaches.It was striking that this was a theme that attracted scholars from diverse scholarly and artistic communities, and we have attempted to reproduce the freshness of these dynamic, cross-disciplinary perspectives in the way we have grouped the articles here. Indeed, in order to maximize the diversity of the contributions. We sought approval from the Transfers editors to publish twelve shorter articles of 5,000 words each across two special sections. We trust that readers of the journal will enjoy our purposefully “unruly” juxtaposition of disciplines and approaches, including the different ways that our contributors have understood and conceptualized the mobile landscape. However, both here and in our Introduction to Unruly Landscapes No. 2, we have sought to make sense of what is going on in each article and to indicate how it contributes to the recent debates that most interest readers of this journal. We would also like to take this opportunity to thank Professor Tim Ingold for his keynote lecture at the conference which spoke about his recent work on landscape as “palimpsest”—as well as artist Jen Southern (Lancaster University) for allowing us to use her formulation of the “unruly” for our event.
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Pub Date : 2022-03-01DOI: 10.3167/trans.2022.120108
David McLaughlin
The Appalachian Trail—a hiking trail in the eastern United States—is for many an icon of the American wilderness experience. It is an unruly landscape, one which is yearly being re-made, re-marked, and “reclaimed” to wilderness. Within its corridor of trees, the Appalachian Trail hides decaying farms bought by forced purchase, ghosts of old cemeteries, and many different paths through the trees. There is a palpable sense of possibility, of constant change, and of what could have been. In this article, drawing on recent research in cultural geography which emphasizes the unsettled and unsettling nature of landscape, I will introduce the potential for new, digital literary-spatial forms made on the Appalachian Trail to write and to enact this unruly landscape.
{"title":"Appalachian Hikers’ Digital Journals","authors":"David McLaughlin","doi":"10.3167/trans.2022.120108","DOIUrl":"https://doi.org/10.3167/trans.2022.120108","url":null,"abstract":"The Appalachian Trail—a hiking trail in the eastern United States—is for many an icon of the American wilderness experience. It is an unruly landscape, one which is yearly being re-made, re-marked, and “reclaimed” to wilderness. Within its corridor of trees, the Appalachian Trail hides decaying farms bought by forced purchase, ghosts of old cemeteries, and many different paths through the trees. There is a palpable sense of possibility, of constant change, and of what could have been. In this article, drawing on recent research in cultural geography which emphasizes the unsettled and unsettling nature of landscape, I will introduce the potential for new, digital literary-spatial forms made on the Appalachian Trail to write and to enact this unruly landscape.","PeriodicalId":43789,"journal":{"name":"Transfers-Interdisciplinary Journal of Mobility Studies","volume":"40 1","pages":""},"PeriodicalIF":0.3,"publicationDate":"2022-03-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73827167","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Pub Date : 2022-03-01DOI: 10.3167/trans.2022.120107
A. Toivanen
Juillet au pays: Chroniques d’un retour à Madagascar (“July in the Country: Chronicles of a Return to Madagascar,” 2007) narrates the “homecoming” of the diasporic author Michèle Rakotoson after several years of absence. Applying a literary mobility studies perspective and contributing to the dialogue between mobilities research and postcolonial literary studies, this article analyzes how Rakotoson’s return travelogue constructs Madagascan landscapes through the interplay of mobility and memory. The article focuses on the text’s representations of mobility practices and how different means of transport affect the returnee’s impressions of the “homely” landscapes and her own positioning with respect to them. While different mobility practices and modes of transport and their intertwinement with personal/collective memories allow for diverse perspectives on the former home, the landscapes of return remain unruly: they are mobile not only because observed while in movement, but also because their present meanings escape from the returnee.
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Pub Date : 2022-03-01DOI: 10.3167/trans.2022.120103
Carolyn Deby
This article employs both a written text and an artistic video encounter with the reader, to articulate human lived experience as a spatial and temporal semioscape of relations that flow across and between the inner-outer lifeworlds or Umwelten for individuals. Further, it asserts that such lifeworlds are experienced in continual and dynamic relation with nonhumans and non-life (human-devised technologies, circulations, and substances as well as planetary circulations and substances such as rock, sky, air, and so on)—an entangled and mobile situation that humans can notice and derive meaning from. Taking as its starting point a video performance-paper, Still/We noticed smallest things, created by the author, and originally presented to participants of Unruly Landscapes Colloquium in June 2020, the article will assert that immersion in a simultaneously embodied and screen-world semioscape that includes urbanwild entanglements demonstrates the human biophilic ability to attune to complex relations in hybrid bio/techno situations.
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