Utopian Friendships in Mary Wroth and Margaret Cavendish

IF 0.2 3区 文学 Q2 Arts and Humanities STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2021-02-23 DOI:10.1353/sel.2020.0018
Alexandra Verini
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Abstract

Abstract:This article argues that Lady Mary Wroth’s The Countess of Montgomery’s Urania and Margaret Cavendish’s The Description of a New World, Called the Blazing World engage in an unrecognized form of utopianism that is situated in women’s friendship. This utopianism departs from the traditional definition of utopia as an idealized geographical place and instead acts as a heuristic device for imagining alternatives to the present. As women’s friendships in these works blur binaries to imagine new categories, they enact a form of utopian thinking that offers new political and philosophical possibilities while remaining aware of their limitations. This article thus makes the case for Wroth’s unrecognized influence on Cavendish’s work as well as for a new understanding of early modern women’s friendship and utopianism.
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玛丽·沃斯和玛格丽特·卡文迪什笔下的乌托邦式友谊
摘要:本文认为玛丽·沃斯夫人的《蒙哥马利伯爵夫人的乌拉尼娅》和玛格丽特·卡文迪什的《燃烧的新世界》在女性友谊中体现了一种不为人知的乌托邦主义。这种乌托邦主义脱离了乌托邦作为一个理想化的地理位置的传统定义,而是作为一种启发式的工具来想象现在的替代方案。在这些作品中,女性的友谊模糊了二元对立,想象出了新的类别,她们制定了一种乌托邦式的思考方式,提供了新的政治和哲学可能性,同时也意识到自己的局限性。因此,本文阐述了沃斯对卡文迪什作品未被认识到的影响,以及对早期现代女性友谊和乌托邦主义的新理解。
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来源期刊
STUDIES IN ENGLISH LITERATURE 1500-1900
STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-
CiteScore
0.40
自引率
0.00%
发文量
8
期刊介绍: SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.
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Possible Pregnancy and All’s Well’s Uncertain Ends Shakespeare’s Henry V and the Ciphers of History Christian and Stoic Patience in King Lear Recent Studies in Tudor and Stuart Drama “The Bay Trees … Are All Withered”: Ecological Trauerspiel in Richard II
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