Images of Birds in the History of Portuguese Poetry: Features of Metaphorics

IF 0.2 0 LITERATURE Studia Litterarum Pub Date : 2022-01-01 DOI:10.22455/2500-4247-2022-7-4-84-107
Marina V. Kuteva, V. Makhortova
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Abstract

The article offers a review regarding to the metaphorical reinterpretations of lexemes relating to the semantic field “bird” in the best Portuguese poems, whose works are distinguished by continuity and are based on the poetic accomplishments and achievements of those word artists who created their verses in previous eras. The most consequential influence on the moods and figurative system of followers had Francisco Sa de Miranda and Luis de Camoes, which are also briefly described in this work. The results of the study conducted using a complex technique (methods of contextual, semantics and stylistic analysis) testify to the wide figurative and metaphorical potential of ornythonymic vocabulary. In Portuguese poetry, the image of birds is used to convey a variety of meanings, such as “poems,” “creativity,” “I, my soul,” “love,” “hope,” “longing,” “struggle,” as well as “freedom” (bird in general) and “despotism” (vulture).
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葡萄牙诗歌史上的鸟类形象:隐喻的特征
本文回顾了葡萄牙优秀诗歌中与“鸟”语义场相关的词汇的隐喻重新解释,这些诗歌的作品以连续性为特点,并以历代诗歌艺术家的诗歌成就和成就为基础。对追随者的情绪和形象系统影响最大的是弗朗西斯科·萨·德·米兰达和路易斯·德·卡梅斯,这也在这部作品中得到了简要的描述。使用复杂的技术(语境、语义和文体分析方法)进行的研究结果证明了形式化词汇具有广泛的比喻和隐喻潜力。在葡萄牙诗歌中,鸟的形象被用来传达各种各样的含义,比如“诗歌”、“创造力”、“我,我的灵魂”、“爱”、“希望”、“渴望”、“斗争”,以及“自由”(一般的鸟)和“专制”(秃鹫)。
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来源期刊
Studia Litterarum
Studia Litterarum LITERATURE-
CiteScore
0.20
自引率
0.00%
发文量
26
审稿时长
20 weeks
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