WORLDVIEW UNIVERSALS IN LITERARY TRANSLATION

Olena Shuster, Oleh Hapchenko, A. Rozhkova
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Abstract

The article is devoted to the study of the peculiarities of rendering linguistic manifestations of worldview universals in English-Ukrainian literary translation. The fantasy genre as the material of the study proves to be the author’s embodiment of worldview universals, which, in their interaction and connection, set a holistic, generalized image of the human world. Worldview universals are categories that accumulate historically stored social experience. The system of worldview universals is the space in which a person of a certain culture evaluates, interprets and experiences the world, integrates all the phenomena of reality that appear in the sphere of his experience. It has been proved that the fantasy work of J. Rowling is represented by the opposition of the “good” and the “evil”, which are constituted by the realities of the magical world. The results of the structural-semantic analysis of the thematic groups of the worldview universals that create the philosophical concept of the fantasy work and the lexical units that actualize them made it possible to set the following groups of realities: onomastic realities, everyday realities, ethnographic and mythological realities, the realities of the state-administrative system and public life. The comparative analysis of the peculiarities of translation of the realities of the magical world suggests that the translator resorts to different translation techniques: actually descriptive translation, as well as various combinations of descriptive translation: transcription and descriptive translation in the translation commentary, transcription and descriptive translation in the text of the work, graphic transfer (preserving the original writing) and descriptive translation in the text of the work, calque translation and descriptive translation in the translation commentary.
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文学翻译中的世界观共性
本文旨在探讨英乌文学翻译中世界观共性语言表现的特殊性。作为研究素材的奇幻文学是作者世界观共性的体现,这些共性相互作用、相互联系,形成了一个整体的、概括的人类世界形象。世界观共相是积累历史上储存的社会经验的类别。世界观共相系统是一个特定文化的人评价、解释和体验世界的空间,整合了在他的经验领域中出现的所有现实现象。事实证明,罗琳的奇幻作品是以“善”与“恶”的对立为代表的,而“善”与“恶”是由魔幻世界的现实构成的。通过对构成奇幻作品哲学概念的世界观共相的主题组和实现这些主题的词汇单位进行结构语义分析,可以将现实分为以下几组:本体现实、日常现实、民族志和神话现实、国家行政体系和公共生活的现实。通过对魔幻现实世界翻译特点的比较分析,可以看出译者采用了不同的翻译技巧:既有实际的描述性翻译,也有描述性翻译的各种组合;翻译评注中的抄写和描述性翻译,作品文本中的抄写和描述性翻译,作品文本中的图文(保留原文)和描述性翻译,翻译评注中的calque翻译和描述性翻译。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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