Disgraced of the West, Deserted of the East: Men in the Films Shame and Issız Adam (Alone)

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2021-07-14 DOI:10.5195/CINEJ.2021.359
Selen Gökçem Akyıldız
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引用次数: 1

Abstract

Apart from being shot in almost the same decades, Shame (Steve McQueen, 2011) and Issız Adam (Çağan Irmak, 2008) have other analogies that require to study on. Even though both men live in different cultures and have different relationship models, they struggle in life concurrently. While Steve McQueen’s Shame focuses on uncompromising sex addiction that overthrows a man’s life, Çağan Irmak’s Issız Adam takes it on a romantic level and presents a lonely man who cannot attach women. Though it seems an ordinary attachment problem on the surface, both men have deep social, sexual, familial problems that force them to be left alone. In consideration of adult romantic attachment theory of Hazan and Shaver (1987), both male characters will be examined under the topics of adult loneliness and love, romantic incest and sex addiction to analyze the reasons and the results of the bond that both male characters cannot have built. 
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西方的耻辱,东方的遗弃:电影中的男人羞耻和Issız亚当(孤独)
《羞耻》(Steve McQueen, 2011)和《Issız Adam》(Çağan Irmak, 2008)除了在几乎相同的年代拍摄之外,还有其他需要研究的类比。尽管两个人生活在不同的文化背景下,有着不同的关系模式,但他们同时在生活中挣扎。史蒂夫·麦奎因(Steve McQueen)的《羞耻》(Shame)关注的是颠覆男人生活的不妥协的性瘾,Çağan伊尔马克(Irmak)的《Issız亚当》(Adam)将其提升到了浪漫的层面,呈现了一个无法与女人亲近的孤独男人。虽然表面上这似乎是一个普通的依恋问题,但两个人都有深刻的社会、性和家庭问题,这些问题迫使他们独处。考虑到Hazan and Shaver(1987)的成人浪漫依恋理论,我们将在成人孤独与爱情、浪漫乱伦和性瘾的主题下对这两个男性角色进行考察,分析这两个男性角色无法建立的纽带的原因和结果。
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CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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