{"title":"Remake Bodony: Visual Participatory Action Research and Tiny Publics","authors":"Márton Oblath","doi":"10.2478/ausfm-2023-0003","DOIUrl":null,"url":null,"abstract":"Abstract Remake Bodony is a documentary film, which was collaboratively developed by the inhabitants of Siklósbodony, Hungary in 2017. The article presents an account of the film production process as an organic continuation of two prior participatory visual arts workshops using photovoice and community mural painting. The reconstruction adopts a methodological lens and interprets these participatory activities as three stages of a visual participatory action research project. Three analytic dimensions are introduced: methodological configuration, “tiny publics” (Fine 2012), and the participants’ emerging research questions – to produce an account of the collective thought process occurring in the course of filmmaking.1","PeriodicalId":40721,"journal":{"name":"Acta Universitatis Sapientiae-Film and Media Studies","volume":null,"pages":null},"PeriodicalIF":0.1000,"publicationDate":"2023-05-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Acta Universitatis Sapientiae-Film and Media Studies","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.2478/ausfm-2023-0003","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"0","JCRName":"FILM, RADIO, TELEVISION","Score":null,"Total":0}
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Abstract
Abstract Remake Bodony is a documentary film, which was collaboratively developed by the inhabitants of Siklósbodony, Hungary in 2017. The article presents an account of the film production process as an organic continuation of two prior participatory visual arts workshops using photovoice and community mural painting. The reconstruction adopts a methodological lens and interprets these participatory activities as three stages of a visual participatory action research project. Three analytic dimensions are introduced: methodological configuration, “tiny publics” (Fine 2012), and the participants’ emerging research questions – to produce an account of the collective thought process occurring in the course of filmmaking.1
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