ANALYSIS OF RECEPTION AND CRITICAL DISCOURSE OF THE EYECANDY RUBRIC ON ADULT MEN MAGAZINE

Citra Eka Putri, Radja Erland Hamzah, Yarsita Dwiokta Putri
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Abstract

Eyecandy is a rubrik in the adult men's magazine “Popular”, featuring sensual content from many of its models, and what happens when the rubric is interpreted critically by female readers. When the workers and editors at the magazine are dominated by men who have full power in determining the value of women in a society's social life through the discourse that appears in it. Meanwhile, women are positioned as objects that do not have the power to determine these values. The purpose of this study is how audience reception interprets the perspective of critical discourse on the text wrapped in the pose of a woman's body shape in the eyecandy rubric in the December 2017 issue of "Popular" magazine. This research uses a qualitative approach with the study method of critical discourse reception by Norman Fairclough's model. The results of the research show that the text in the eyecandy rubric gives a sensual meaning, where that meaning still binds women as the main sexual commodity that is traded in the form of visual objects. The text is only a complementary narrative of the many sensual poses of female models. The production in the process of making this text is dominated by men, where men seem to understand very well how a text and images are used as representations of attractiveness that is able to attract their people, thus proving that women are objects of sexuality where the media constructs according to the wishes of their male readers.
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成人男性杂志上“花眼标题”的接受与批评话语分析
Eyecandy是成人男性杂志《大众》(Popular)上的一个主题,刊登了许多模特的性感内容,当女性读者批判地解读这些主题时,会发生什么呢?当杂志的工作人员和编辑被男性主导时,他们就有充分的权力通过杂志上出现的话语来决定女性在社会生活中的价值。与此同时,女性被定位为没有能力决定这些价值观的对象。本研究的目的是观众接受如何解读批判性话语的视角,在2017年12月刊《大众》杂志的眼糖标题中,一个女人的身体形状的姿势包裹着文本。本研究采用定性研究方法,采用Norman Fairclough模型的批评话语接受研究方法。研究结果表明,“眼糖”标题中的文字赋予了一种感官意义,而这种意义仍然将女性作为主要的性商品,以视觉对象的形式进行交易。文本只是对女模特许多性感姿势的补充叙述。在制作这个文本的过程中,生产是由男性主导的,男性似乎非常了解如何将文本和图像用作吸引力的表征,从而能够吸引他们的人,从而证明女性是性的对象,媒体根据男性读者的意愿构建。
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