An analytical study of the ritual ceremonies in Iranian performing arts, a case study of Travellers

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2020-12-03 DOI:10.5195/cinej.2020.260
Shiva Khalili Kolahian
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引用次数: 1

Abstract

Rites and myths are important parts of the identity and the culture of every nation. Iranian rites and performing arts, as a part of Iranian art and culture, which has always got attention throughout history, can help us recognize ancient Iranian culture and history. Cinema, among other interactive arts, has sometimes been able to portray ritual arts well. Travellers, made by Bahram Beyzai, is one of the most prominent examples of the visualization of ritual arts in Iran, because the movie consists of three parts, like the three theaters, in which the rites are portrayed as the main story of the movie, and the Persian culture and customs have been exhibited. This paper, which its research method is descriptive-analytical, examines the standing of rites and ritual arts in Travellers movie and analyzes its atmosphere regarding to performing rituals. Its scene design changes as the script process, so that the application of elements such as light and color, and their intensity and reduction in different mental conditions, from pleasure to mourning, has been considered wisely, and the atmosphere has a dramatic impact on the audience in different scenes. The lighting and the coloring of the scenes in the movie, indicates a tribute to beliefs and faith in rites and ritual arts.
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伊朗表演艺术中仪式仪式的分析研究,以旅行者为例
仪式和神话是每个民族的身份和文化的重要组成部分。伊朗的仪式和表演艺术作为伊朗艺术和文化的一部分,在历史上一直受到关注,可以帮助我们认识古代伊朗的文化和历史。在其他互动艺术中,电影有时能够很好地描绘仪式艺术。Bahram Beyzai制作的《旅行者》是伊朗仪式艺术可视化的最突出的例子之一,因为电影由三个部分组成,就像三个剧院一样,其中仪式被描绘为电影的主要故事,波斯文化和习俗也被展示出来。本文采用描述性分析的研究方法,考察了《旅行者》电影中仪式和仪式艺术的地位,分析了其表演仪式的氛围。它的场景设计随着剧本的进程而变化,使得光、色等元素的运用,以及它们在不同精神状态下的强度和减少,从愉悦到哀悼,都得到了明智的考虑,气氛在不同的场景中对观众产生了戏剧性的影响。电影中场景的灯光和色彩表明了对仪式和仪式艺术的信仰和信仰的致敬。
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来源期刊
CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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审稿时长
12 weeks
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