Intertextuality in Contemporary Architectural Practice: Citation, Analogy, and the Fabrication of Referentiality in the Hypertextual Environment

Tijana Mačkić
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Abstract

The contemporary cultural context is shaped by hyperlinks as a tool for establishing references that form our interpretations of notions, concepts, and phenomena into a cohesive narrative. This paper aims to examine the practice of visual citing in the architectural discipline as a methodology that takes the principle of intertextuality from the discourse of literary art and introduces it into the design process. Furthermore, the work intends to conceptualize a framework of stylistic functions that references serve in the design process relative to aesthetic qualities valued within different cultural and social conditions. Concerning examples of the analogical method in postmodern stylistic expression, the paper tries to translate the principles inherently found in the architectural discipline into the context of contemporary practice. In the process, the question of anonymous reference sources is posed due to the lack of a unifying method for their notation. Finally, by comparing the notions of hypertext and intertext, the intention is to understand the semiological relations established between the works of independent authors and the causes of the disparity between references used in the design process and those subsequently created.
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当代建筑实践中的互文性:超文本环境中的引用、类比与指称性的制造
当代文化语境是由超链接塑造的,作为一种建立参考的工具,将我们对概念、概念和现象的解释形成一个有凝聚力的叙述。本文旨在探讨视觉引用在建筑学科中的实践,作为一种从文学艺术话语中汲取互文性原则并将其引入设计过程的方法论。此外,该作品旨在概念化一个风格功能框架,在设计过程中参考不同文化和社会条件下所重视的审美品质。通过后现代风格表达中的类比方法,本文试图将建筑学科中固有的原则转化为当代实践的背景。在此过程中,由于缺乏统一的标记方法,提出了匿名参考源的问题。最后,通过比较超文本和互文的概念,目的是了解独立作者作品之间建立的符号学关系,以及设计过程中使用的参考文献与随后创作的参考文献之间差异的原因。
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