Tatry – bezkresne i zamieszkiwane, niszczone i chronione. O antynomiach przestrzeni górskiej w pismach Jana Gwalberta Pawlikowskiego

Q4 Social Sciences Prace i Studia Geograficzne Pub Date : 2022-10-18 DOI:10.48128/pisg/2022-67.2-05
Elżbieta Dutka
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Abstract

O lice ziemi (For the Face of the Earth) – the collection of writings by Jan Gwalbert Pawlikowski, published in 1938, is interesting not only for historical reasons and as a reference point for contemporary ecological movements. A hybrid work (in which the subject of the Tatra Mountains occupies an important place) also encourages literary research using the tools suggested by geopoetics. The article analyses how mountains are presented in this volume, focusing on the relationship between geographic space and literature. The precursor of ecology, characterising the Tatra Mountains, draws attention to “space, light, silence”. The “holy trinity” taken from the poems by Kazimierz Tetmajer suggests an open mountain space. At the same time, Pawlikowski writes about the peaks as a home, the closest surroundings, giving them the features of a tamed place. On the other hand, he strongly valorises the limitation of mountain space as a result of modernisation processes negatively. The “beautification” and unrestricted access to the Tatra Mountains related to the development of tourism and skiing raised his objection. The effect is the literal transformation of the mountains into a “playground” and the reduction of symbolic meanings, reducing the peaks to a “pile of stones”. Paradoxically, however, closing the mountain space also turns out to be a necessity. The necessary restrictions are related to the idea of creating a national park in the Tatra Mountains, for which Pawlikowski fought. Numerous antinomies, contrasts and paradoxes dynamise the texture of the mountains in O lice ziemi and encourage a holistic view of the Tatras as a cultural landscape.
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《为了地球的面貌》是扬·格沃伯特·帕利科夫斯基于1938年出版的一本文集,它的有趣之处不仅在于历史原因,还在于它是当代生态运动的参考点。一个混合的作品(其中塔特拉山脉的主题占据了重要的位置)也鼓励文学研究使用地诗学建议的工具。文章分析了山是如何呈现在这一卷,重点是地理空间和文学之间的关系。生态的先驱,以塔特拉山脉为特征,吸引了人们对“空间、光线、寂静”的关注。来自Kazimierz Tetmajer诗歌的“圣三位一体”暗示了一个开放的山区空间。与此同时,帕利科夫斯基把山峰描写成一个家,一个最亲近的环境,赋予它们一个被驯服的地方的特征。另一方面,他强烈地否定了现代化进程对山地空间的限制。与旅游和滑雪发展有关的“美化”和无限制进入塔特拉山脉的做法引起了他的反对。其效果是将山脉转化为“游乐场”,并减少了象征意义,将山峰减少为“一堆石头”。然而,矛盾的是,封闭山区空间也被证明是必要的。必要的限制与在塔特拉山脉建立国家公园的想法有关,Pawlikowski为之奋斗。众多的矛盾、对比和悖论使O lice ziemi山脉的纹理充满活力,并鼓励将Tatras作为文化景观的整体观点。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Prace i Studia Geograficzne
Prace i Studia Geograficzne Social Sciences-Cultural Studies
CiteScore
0.40
自引率
0.00%
发文量
26
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