Play and Learning Activity: Borderline Conflicts

G. Zuckerman, O. Obukhova, N. A. Shibanova
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引用次数: 2

Abstract

Illegal invasion of schooling into the preschool education can be peacefully suspended by developing the conceptual play based on narratives, in which special characters are acting. These characters of conceptual play are of the dual nature: while they reason and act as concepts that come alive, they feel and communicate as humans in flesh and blood. In the elementary school, the development of students’ learning activity employs the conceptual plays as a successful conduit for introducing concepts, which cannot be constructed through hand-on activities. In the preschool, the conceptual play opens the way to coach knowledge and skills traditionally associated with schooling. By teaching preschoolers with the help of the conceptual plays, adults get the opportunity to design the learning content that combines affect and intelligence, lays the foundation for operating with schemes, and most importantly, promotes children's initiative in intellectual pursuits and expands its scope. The outlines of conceptual play are exemplified by episodes of teaching literacy in the first grade with the ABC textbook by D.B. Elkonin.
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游戏和学习活动:边缘性冲突
通过发展以叙事为基础的概念剧,特殊人物在其中表演,可以和平地暂停学校对学前教育的非法入侵。概念游戏的这些角色具有双重性质:他们作为活生生的概念进行推理和行动,同时又作为有血有肉的人进行感受和交流。在小学阶段,学生学习活动的发展将概念游戏作为引入概念的成功渠道,这是无法通过动手活动来构建的。在学前教育中,概念性游戏为传统上与学校教育相关的知识和技能的传授开辟了道路。通过概念性游戏对幼儿进行教学,使成人有机会设计情感与智力相结合的学习内容,为幼儿进行方案操作奠定基础,最重要的是促进幼儿在智力追求上的主动性,扩大其范围。概念游戏的大纲可以通过D.B. Elkonin的ABC教科书中一年级的扫盲教学章节来例证。
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