Notre-Dame de Paris in 2020: Between Endangerment Sensibility and Cultural Heritage Task Force

IF 0.1 4区 艺术学 Q3 Arts and Humanities Future Anterior Pub Date : 2021-08-05 DOI:10.5749/futuante.17.1.0061
Dominique Poulot
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引用次数: 1

Abstract

Abstract:The Notre-Dame disaster caused a worldwide emotional response, fueled by social networks and the media; it also generated a sudden and considerable public generosity. In response, the French government has devised a specific law, one in favor of an unprecedented modernization for restoring heritage, combined with a task force under the supervision of a retired army general. Subsequently, the uncertainties of its conservation, or of a future creation of a spire, seemed to sanction the bankruptcy of the ancient intelligence of the monument. If romantic imagery, more or less anecdotal, has been repeated here and there, and if the scholarly memory of a Christian and national cathedral has been exploited by media, the ecological traumas—the evocation of a disappeared forest with the framework and the lead pollution around it—seem to have prevailed in the public imagination. The challenge today is to go beyond a communion in the drama of a loss in order to identify heritage, its uses, and its change in a future society.
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2020年的巴黎圣母院:在濒危敏感性和文化遗产工作组之间
摘要:在社交网络和媒体的推动下,巴黎圣母院惨案引发了全球范围内的情绪反应;它还突然引起了公众相当大的慷慨。作为回应,法国政府制定了一项具体的法律,支持前所未有的遗产修复现代化,并在一位退休将军的监督下组建了一个特别工作组。后来,由于它保存的不确定性,以及将来建造尖塔的不确定性,似乎批准了这座纪念碑的古代智慧的破产。如果浪漫的意象(或多或少是轶事)到处被重复,如果基督教大教堂和国家大教堂的学术记忆被媒体利用,那么生态创伤——唤起人们对消失的森林和周围的铅污染的回忆——似乎在公众的想象中占了上风。今天的挑战是超越对损失戏剧的交流,以确定遗产,其用途及其在未来社会中的变化。
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Future Anterior
Future Anterior Arts and Humanities-Visual Arts and Performing Arts
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