“Who Knows What We’d Make of It, If We Ever Got Our Hands on It?” The Bible and Margaret Atwood ed. by Rhiannon Graybill and Peter J. Sabo (review)

Abstract

Abstract:This essay reconsiders the view of George Eliot as the vanguard secular novelist through the tension between her early, yet sustained, commitment to the evangelical belief that joy is a providential reward for suffering and the later complications as she depicted a world appearing to lack divine justice or mercy, without promise of an afterlife. I argue that the novel Adam Bede is not a humanist translation of Christian doctrine but a revision of theodicy both from within and from without Christian tradition, representing the mystery of “human sorrow” and suffering as embodied in Jesus Christ. The novel works through to a belief that such suffering awaits all, rather than some, created beings and to the conviction that joy will never banish suffering — that it co-exists with it, taking the form of love. This revision preserved the Christian primacy of suffering while seeking to equalize it and face its demands.