(No) future music?

IF 1 Q3 POLITICAL SCIENCE New Perspectives Pub Date : 2020-08-14 DOI:10.1177/2336825x20934993
S. Reynolds
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引用次数: 2

Abstract

One of the many memorable memes and thought slogans associated with the late theorist Mark Fisher is “the slow cancellation of the future.” What does this evocative and melancholy phrase signify? In this talk Fisher’s blogging comrade and Retromania author Simon Reynolds reexamines the belief that the 21st century so far has been a Zeit without a Geist: an atemporal time of replicas, reenactments, reissues, revivals, and other syndromes of cultural recycling that put the “past” into pastiche. Are there reasons to be cheerful about music and pop culture as the 2010s limp to the finish line, if not so sanguine about politics or the environment? If society is deadlocked or, worse, heading in reverse, can we even expect music to surge forward like it once did?
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(没有)未来的音乐?
与已故理论家马克·费舍尔(Mark Fisher)有关的许多令人难忘的表情包和思想口号之一是“未来的缓慢取消”。这个令人回味和忧郁的短语意味着什么?在这次演讲中,Fisher的博客同事和Retromania的作者Simon Reynolds重新审视了21世纪迄今为止是一个没有精神的时代:一个充满复制品、重演、重新发行、复兴和其他文化循环综合症的时空,把“过去”变成了仿制品。在2010年即将结束之际,我们有理由对音乐和流行文化感到高兴吗?如果对政治和环境不那么乐观的话?如果社会陷入僵局,或者更糟,走向倒退,我们还能指望音乐像过去那样蓬勃发展吗?
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来源期刊
New Perspectives
New Perspectives POLITICAL SCIENCE-
CiteScore
1.50
自引率
0.00%
发文量
26
期刊介绍: New Perspectives is an academic journal that seeks to provide interdisciplinary insight into the politics and international relations of Central and Eastern Europe. New Perspectives is published by the Institute of International Relations Prague.
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