Semiotic Analysis of Gundala Movie Poster

S. I. P. Persada
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引用次数: 3

Abstract

—The purpose of this research is to analyze the visual meaning of the Gundala poster in 2019. The method used in this study was the semiotic method; Ferdinand de Saussure developed the semiotic approach. Gundala was an Indonesian superhero created by Hasmi, and in 2019, the superhero figure made by the Movie directed by Joko Anwar. From the movie, the poster made. From the visual of this poster, Gundala was in the middle, and then behind him was the building, and above the building, many people were looking at Gundala with lightning and rain, making a visible gripping. The poster seems dark with rain and lightning, which adds the tense feeling of the poster. Gundala ’s Visualization in the middle makes a dashing impression on the Superhero; then with the background of an old building, it can be seen that the dark visuals built from this poster are augmented by the number of people looking at the figure of Gundala adds a tense feeling to this poster. Rain and lightning added because this Gundala gets strength from the lightning. The purpose of this research is to provide a visual understanding of the audience so that the audience can understand the meaning of the poster.
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冈达拉电影海报的符号学分析
-本研究的目的是分析2019年冈达拉海报的视觉意义。本研究使用的方法是符号学方法;费迪南德·德·索绪尔发展了符号学方法。Gundala是由Hasmi创造的印度尼西亚超级英雄,2019年,由Joko Anwar执导的电影制作的超级英雄形象。从电影,海报。从这张海报的视觉上看,冈达拉在中间,然后在他身后是大楼,而大楼上方,很多人都带着闪电和雨水看着冈达拉,形成了一种可见的夹击。雨和闪电使海报显得很暗,增加了海报的紧张感。冈达拉在中间的可视化给超级英雄留下了一个潇洒的印象;然后以一座古老的建筑为背景,可以看到这张海贴画所构建的黑暗视觉效果被观看Gundala的人数所增强,这张海贴画增加了一种紧张的感觉。雨水和闪电加入,因为这个冈达拉从闪电中获得力量。本研究的目的是为观众提供一种视觉上的理解,使观众能够理解海报的含义。
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