SURROGATE TOURISTS ON INSTAGRAM: AN(OTHER) KIND OF MIMETIC GAZE

IF 0.5 Q4 HOSPITALITY, LEISURE, SPORT & TOURISM TOURISM CULTURE & COMMUNICATION Pub Date : 2021-01-01 DOI:10.3727/109830421x16296375579606
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Abstract

From influencers to established travel brands to casual consumers, there are a number of existing organisms in the online ecosystem of Instagram simultaneously producing and consuming content. At first glance, the nature of these relationships seems simple - sharing and engaging via a visual medium - but upon prolonged review, deeper questions about the interwoven complexity existing between these organisms and their content emerge. The authors illuminate several discernible patterns through a deep theoretical framing of the gaze, mimetic reproduction and ownership followed by a conceptual modelling through a review of everyday Instagramic practices. What becomes apparent are a number of stages of development in this process. Firstly, the practice of photographic mimicry becomes a form of consumption in which the consumer ‘consumes places’ vicariously across space and time, making image reproduction an embodied practice. Secondly, the Instagram fee of an individual consumer (or influencer) becomes a sort of living autobiography, curating and aggrandizing the glossiest images which form a projected extension of self that is not grounded necessarily in authenticity, but in reproduction. Finally, the proliferation of communication between consumer and consumer reproduces a surrogate type that creates a constantly evolving circular content loop where the flow of influence and information becomes muddled and originality becomes less distinguishable. This paper critically explores how Instagram has collapsed traditional influence and consumer relationships particularly in how tourist experience and imagery are shared, resulting in a complex online community that resembles a cultural colonial organism fed by communication feedback loops. The result of this paper is the positioning of a surrogate tourist embodied within a collection of individual entities performing specialized tasks dependent on other individuals in the community in which the function and nature of the individual recedes in importance to the relationship existing between organisms.
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instagram上的代理游客:一种(另一种)模仿的凝视
从网红到知名旅游品牌,再到普通消费者,在Instagram的在线生态系统中,有许多现有的生物同时生产和消费内容。乍一看,这些关系的本质似乎很简单——通过视觉媒介分享和参与——但经过长时间的审查,关于这些有机体及其内容之间存在的交织复杂性的更深层次的问题出现了。作者通过对凝视、模仿复制和所有权的深刻理论框架阐明了几个可识别的模式,随后通过回顾instagram的日常实践建立了概念模型。显而易见的是,在这一过程中有几个发展阶段。首先,摄影模仿的实践成为一种消费形式,在这种消费形式中,消费者跨越空间和时间“消费场所”,使图像复制成为一种具体化的实践。其次,个人消费者(或网红)的Instagram费用变成了一种活生生的自传,策划和放大了最光鲜的照片,这些照片形成了自我的投射延伸,不一定是以真实性为基础,而是以复制为基础。最后,消费者和消费者之间交流的扩散再现了一种替代类型,创造了一个不断发展的循环内容循环,在这个循环中,影响力和信息的流动变得混乱,独创性变得难以区分。本文批判性地探讨了Instagram如何瓦解了传统的影响力和消费者关系,特别是在如何分享旅游体验和图像方面,导致了一个复杂的在线社区,就像一个由交流反馈循环滋养的文化殖民有机体。本文的结果是将代理游客的定位体现在个体实体的集合中,这些个体实体执行依赖于社区中其他个体的专门任务,其中个体的功能和性质对存在于生物之间的关系的重要性逐渐降低。
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来源期刊
TOURISM CULTURE & COMMUNICATION
TOURISM CULTURE & COMMUNICATION HOSPITALITY, LEISURE, SPORT & TOURISM-
CiteScore
1.20
自引率
16.70%
发文量
44
期刊介绍: Tourism, Culture & Communication is the longest established international refereed journal that is dedicated to the cultural dimensions of tourism. The editors adopt a purposefully broad scope that welcomes readers and contributors from diverse disciplines and who are receptive in a wide variety of research methods. While potential cultural issues and identities are unlimited, there is a requirement that their consideration should relate to the tourism and hospitality domain. Tourism, Culture & Communication provides readers with multidisciplinary perspectives that consider topics and fields extending beyond national and indigenous cultures as they are traditionally understood and recognized. Coverage may extend to issues such as cultural dimensions of the United Nations’ Sustainable Development Goals (SDGs), gender and tourism, managing tourists with disabilities, sport tourism, or age-specific tourism. Contributions that draw upon the communications literature to explain the tourism phenomenon are also particularly welcome. Beyond the focus on culture and communications, the editors recognize the important interrelationships with economies, society, politics, and the environment. The journal publishes high-quality research and applies a double-blind refereeing process. Tourism, Culture & Communication consists of main articles, major thematic reviews, position papers on theory and practice, and substantive case studies. A reports section covers specific initiatives and projects, “hot topics,” work-in-progress, and critical reviews.
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