Touch, Consciousness, and Sympathy in Silas Marner

IF 0.2 3区文学 Q2 Arts and Humanities STUDIES IN ENGLISH LITERATURE 1500-1900 Pub Date : 2019-12-04 DOI:10.1353/sel.2019.0038

Hannah Fogarty

引用次数: 0

Abstract

Abstract:Conscious objects, independent body parts, and ambiguously located feelings recur throughout George Eliot’s Silas Marner. Exploring what it might be like for a body to think, act, and feel of its own accord, George Eliot draws on George Henry Lewes’s theory of double-aspect monism to envision sensation and habit as vehicles for expansion and transformation beyond the boundaries of the body. George Eliot’s exploration of the value of the habitual and mechanical points to her investment in exploring embodied forms of experience and connection rather than interpersonal sympathy.

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西拉斯·马南的触觉、意识和同情心

摘要:在乔治·艾略特的小说《西拉斯·马南》中，有意识的对象、独立的身体部位和定位模糊的感觉反复出现。乔治·艾略特借鉴了乔治·亨利·刘易斯的双重一元论理论，探索了身体自主思考、行动和感觉的可能性，将感觉和习惯想象为超越身体边界的扩张和转变的载体。乔治·艾略特对习惯和机械的价值的探索表明了她对经验和联系的具体形式的探索，而不是对人际同情的探索。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

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来源期刊

STUDIES IN ENGLISH LITERATURE 1500-1900 LITERATURE, BRITISH ISLES-

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0.40

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期刊介绍： SEL focuses on four fields of British literature in rotating, quarterly issues: English Renaissance, Tudor and Stuart Drama, Restoration and Eighteenth Century, and Nineteenth Century. The editors select learned, readable papers that contribute significantly to the understanding of British literature from 1500 to 1900. SEL is well known for thecommissioned omnibus review of recent studies in the field that is included in each issue. In a single volume, readers might find an argument for attributing a previously unknown work to Shakespeare or de-attributing a famous work from Milton, a study ofthe connections between class and genre in the Restoration Theater.

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