Venom: A Desiring Machine

IF 0.2 0 FILM, RADIO, TELEVISION CINEJ Cinema Journal Pub Date : 2020-03-11 DOI:10.5195/cinej.2020.231
Volkan Yücel
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Abstract

This paper focuses on the protagonist in Venom (2018). The debate is based on the double character of Eddie-Venom and traces the Deleuzean desire of this folded identity. How Eddie’s dark desires are suppressed and united by Venom, a symbiote? Schizoanalysis, a counter-method of psychoanalysis, assumes a dual identity for dealing with the rational space surrounding us. Psychoanalysis however, establishes a family-based representational system. For Deleuze and Guattari, free associations during schizophrenic life are to be preferred instead of the representational approach in psychoanalysis. schizo-esthetics, a network of desiring machines, is the liberty of the subject to remain in the world non-hierarchically and the abandonment of the order of symbols.
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毒液:欲望机器
本文以《毒液》(2018)中的主人公为研究对象。这场争论是基于艾迪-毒液的双重性格,并追溯了这种双重身份的德勒兹欲望。艾迪的黑暗欲望是如何被共生体“毒液”压制和统一的?精神分裂分析是一种与精神分析相反的方法,它在处理我们周围的理性空间时具有双重身份。然而,精神分析建立了一个以家庭为基础的表征系统。对于德勒兹和瓜塔里来说,精神分裂症患者生活中的自由联想比精神分析中的表征方法更可取。精神分裂美学,一个欲望机器的网络,是主体在世界上无等级的自由,是对符号秩序的抛弃。
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CINEJ Cinema Journal
CINEJ Cinema Journal FILM, RADIO, TELEVISION-
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审稿时长
12 weeks
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