Coda: Literature, language, and creativity

Q1 Arts and Humanities Cognitive Semiotics Pub Date : 2020-05-01 DOI:10.1515/cogsem-2020-2030
Karin Kukkonen
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引用次数: 2

Abstract

Abstract Literature is often considered the creative expression of language par excellence. This coda considers how the perspectives from Construction Grammar, as they are outlined in this special issue, can enter into dialogue with recent developments in how literary studies address creativity. Construction Grammar concerns itself with the productive generation and manipulation of language in everyday contexts, but, as this special issue goes to show, these processes can also be discussed in terms of creativity and deployed to shed light on creative processes in the arts. Convergences between Construction Grammar and (cognitive) literary studies appear to emerge in particular around the question of creative practice in literary language and (1) in how far writing gives rise to particular kinds of creativity; (2) how one can generalize between different creative media, such as literature, painting and music; and (3) how writing-based creativity can be investigated. Literary studies with its interests in media environments, social/historical context and textual analysis might provide a larger testing ground for claims about the compatibility and incompatibility of everyday and literary creativity as they are put forward in this special issue.
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结语:文学、语言和创造力
文学通常被认为是语言的创造性表达。这个结语考虑了结构语法的观点,正如他们在这个特刊中概述的那样,可以与文学研究如何解决创造力的最新发展进行对话。结构语法本身关注的是日常语境中语言的生产性生成和操纵,但是,正如本期特刊所展示的,这些过程也可以从创造力的角度进行讨论,并用于阐明艺术中的创造性过程。构式语法和(认知)文学研究之间的趋同似乎特别出现在文学语言的创造性实践问题上,以及(1)写作在多大程度上产生了特定类型的创造力;(2)如何在文学、绘画和音乐等不同的创意媒体之间进行概括;(3)如何调查基于写作的创造力。在媒体环境、社会/历史背景和文本分析方面的文学研究可能会为日常创作和文学创作的兼容性和不兼容性的主张提供更大的试验场,正如本期特刊所提出的那样。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
Cognitive Semiotics
Cognitive Semiotics Arts and Humanities-Language and Linguistics
CiteScore
2.30
自引率
0.00%
发文量
14
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