«Psalm» of the Doukhobors Javakheti «Uzrekh Mnogo Narodu» as a Typical Example of the Genre

Аlexandra V. Kosykh
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Abstract

Psalm «Uzrekh mnogo narodu» is the most important in the liturgical and funeral practices of the Doukhobors of Javakheti. Its text, containing nine Evangelical Beatitudes, borrowed from the Orthodox Typicon, conveys the most important Christian values, which observance helps to achieve the Heavenly Kingdom. The features of musical style of the psalm (composition, scale, intonation, rhythmic) are characteristic also of other samples of a genre. The musical stanzas are of considerable length. The composition is characterized by the complexity of the principles of coordination of poetic text and melody. The wide chant of syllables is one of the genre and style features. In the development of the tune, the trichord musical phrase (a-c1-d1) plays a leading role, which varies and repeats many times. The question of the origin of the Dukhobor psalm genre is still open, but its links with Orthodox culture at the level of texts and of principles of inclusion in ritual, at the level of tune with narrative genres of musical folklore are obvious
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Doukhobors Javakheti的“诗篇”“Uzrekh Mnogo Narodu”作为该流派的典型例子
赞歌«Uzrekh mnogo narodu»是最重要的礼仪和葬礼实践的贾瓦赫蒂的Doukhobors。它的文本,包含九个福音派的八福,借鉴了东正教典章,传达了最重要的基督教价值观,遵守这些价值观有助于实现天国。赞美诗的音乐风格特征(作曲、音阶、音准、节奏)也是一种体裁的其他样本的特征。音乐小节相当长。该作品的特点是诗歌文本与旋律协调原则的复杂性。宽音节吟诵是其体裁和风格特征之一。在曲调的发展过程中,三和弦乐句(a-c1-d1)起着主导作用,它多次变化和重复。Dukhobor诗篇体裁的起源问题仍然是开放的,但它与东正教文化在文本层面的联系,在仪式中包含的原则,在音乐民俗叙事体裁的曲调层面上的联系是显而易见的
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